Steve McQueen
Bibliography
Monographs
2023
Steve McQueen: Breakaway mechanics, Nantes: Capricci, 2023
2020
Steve McQueen, London: Tate Publishing, 2020
2014
Steve McQueen, Tokyo: Espace Louis Vuitton, 2014
2013
I want the screen to be a massive mirror, Basel: Schaulager Basel, Steudler Press, 2013
2012
Steve McQueen: Works, Chicago: Art Institute of Chicago; Basel: Schaulager Basel; Berlin: Kehrer, 2012
2010
Steve McQueen: Queen and Country, London: British Council Visual Arts Publications, 2010
2009
Steve McQueen: Giardini Notebook, London: British Council Visual Arts Publications, 2009
2008
Steve McQueen, Gateshead: Baltic Centre of Contemporary Art, 2008 [brochure]
2007
Steve McQueen: Gravesend, Chicago: University of Chicago, 2007 [brochure]
2006
Steve McQueen: Caresses, Kagawa: Marugame Genichiro-Inokuma Museum of Contemporary Art, 2006
2004
Steve McQueen, Wellesley MA: Davis Museum and Cultural Center, 2004 [brochure]
South London Gallery 9: Steve McQueen: Once Upon a Time, London: South London Gallery, 2004 [brochure]
2003
Steve McQueen: Speaking in Tongues, Paris: Paris-Musées, 2003
2002
Steve McQueen: Carib's Leap/Western Deep, texts by Jean Fisher, London: Artangel, 2002
Steve McQueen: Nov. 7th, texts by James Rondeau, Chicago: Art Institute of Chicago, 2002 [brochure]
2001
Steve McQueen, texts by Gerald Matt, Doris Kystof, Thomas Miessgang and Ilka Becker, Vienna: Kunsthalle Wien, 2001
2000
Steve McQueen, Caracas: Sala Mendoza; Cape Town: Institute for Contemporary Art; São Paulo: Museu de Arte Moderna de São Paulo, 2000
Steve McQueen: Barrage, Cologne: Verlag der Buchhandlung Walther Koenig, 2000
1999
Steve McQueen, texts by Robert Storr, Michael Newman and Okwui Enwezor, London: ICA; Zurich: Kunsthalle Zürich, 1999
1997
Steve McQueen, Frankfurt am Main: Portikus; Eindhoven: Stedelijk Van Abbemuseum, 1997 [brochure]
Projects 62: Steve McQueen, New York: The Museum of Modern Art, 1997 [brochure]
1996
Steve McQueen, Chicago: Museum of Contemporary Art, 1996 [brochure]
Exhibition Catalogues & Selected Publications
2023
Walters, Sarah, ed., Everything that Happened: Manchester International Festival, Lewes: Unicorn, 2023
2022
Todoli, Vincent, ed., Steve McQueen: Sunshine State, Milan: Marsilio Editori and Pirelli Hangar Biocca, 2022
Jacob, Frank. War in Film Semiotics and Conflict Related Sign Constructions on the Screen. Marburg: Büchner-Verlag, 2022
McQueen, Steve, Clarrie Wallis and Nathan Ladd. Steve McQueen: Year 3, London: Tate Publishing, 2022
2021
Nwonka, Clive and Anamik Saha, eds., Black Film British Cinema II, London: Goldsmiths Press, 2021
2020
Kastner, J., Pasquinelli, M., and Ralph Rugoff, eds., Among the Trees, London: Hayward Publishing, 2020 pp. 130-131
2019
Balsom, E., Raynolds, L. and Sarah Perks, eds., Artists' Moving Image in Britain Since 1989, London: Yale Books, 2019 pp. 89-107; 169-185; 395-398
Bernier, Celeste-Marie., Stick to the skin: African American and Black British art, 1965-2015, Oakland CA: University of California Press, 2018 p. 203
2018
Dancing with myself, Venice: Punta della Dogana; Marsilio Editori, 2018 pp. 300-301
Sharp, Jasper and Sabine Haag, eds., The Shape of Time: an exhibition of the Kusthistorisches Museum Vienna, Vienna: Kunsthistorisches Museum; Cologne: Walther Koenig, 2018
Bernard, Catherine, Matière à réflexion: du corps politique dans la litterature et les arts visual contemporains, Paris: Presses de l'Universitee Paris-Sorbonne, 2018
Letort, Delphine and Benaouda Lebdaï, eds.,Women Activists and Civil Rights Leaders in Auto/Biographical Literature and Films, Cham, Switzerland: Palgrave Macmillan, 2018
O'Doherty, Brian, Brian O'Doherty: Collected Essays, Oakland: University of California Press, 2018, pp. 201-203
James, Catherine. Falling for Gravity, Oxford; New York: Peter Lang, 2018 pp. 36, 139 ill.
McIlroy, Natalie, ed., Saudade An Instersection of Archives and Art, The Hague: The Expatriate Archive Centre, 2018 p. 80 ill.
2017
Mondialité, Brussels: Boghossian Foundation, 2017 p. 197-198 ill.
Wells, Rachel, 'Samuel Beckett and Steve McQueen: Imprisonment, Sight, and the Screen' appears in Reginio, Robert, David Houston Jones and Katherine Weiss, eds., Samuel Beckett and Contemporary Art, Stuttgart: ibidem Press, 2017 pp. 241-264, 251 ill.
Sigler, Friederike ed., Documents of Contemporary Art: Work, text by Hamza Walker, London: Whitechapel Gallery; Cambridge MA: MIT Press, 2017
Coming out: Sexuality, Gender & Identity, Liverpool: National Museums Liverpool, 2017 pp. 46-47 ill.
Fabre, Jan and Joanna de Vos, eds., The Raft: Art is (not) lonely, Tielt: Lannoo Publishing; Ostend: Kunstmuseum aan Zee, 2017
Gioni, Massiliano, and Micola Brambilla, eds., La Terra Inquieta (The Restless Earth), Milan: Electa, 2017
Thomas, Rachel and Sam Thorne, eds., As Above, So Below: Portals, Visions, Spirits & Mystics, Dublin, Ireland: Irish Museum of Modern Art, 2017
Delahunty, Gavin and Kelly Filreis eds., Truth: 24 frames per second, Dallas: Dallas Museum of Art, 2017
Lingwood, James and Michael Morris, eds., Inside: Artists and Writers in Reading Prison, London: Artangel, 2017 pp. 151-154 ill.
King, Lola, It's not all white, London: Lola King (artist book), 2017
Gillon, Les, The uses of reason in the evaluation of artworks: commentaries on the Turner Prize, Cham: Switzerland: Palgrave Macmillan, 2017
2016
Lacroix, Catherine. 'Steve Mcqueen's Visceral Aesthetics and Ambiguous Interpretations' appears in: CUJAH Volume XII, Montreal: Concordia Undergraduate Journal of Art History, 2016 pp. 116-129
Flesh, York: York Art Gallery, 2016 pp. 50-51 ill.
10 Years. Tokyo: Rat Hole Gallery, 2016
Blocker, Janet, Becoming Past: History in contemporary art, Minneapolis: University of Minnesota Press, 2016
Fekhum Uthoff, Sarah 'Spectres of Colonialism: The Anglo-Irish conflict, Space and the body in Steve McQueen's Hunger (2008)' appears in: Gianmaria Colpani ed., Postcolonial Transitions in Europe, London: Rowman & Littlefield International, 2016
Sharp, Amanda and Matthew Slotover, et al., Frieze: A to Z of Contemporary Art, New York: Phaidon, 2016 pp. 104-105
Embracing the contemporary the Keith L. and Katherine Sachs Collection, Philadelphia: Philadelphia Museum of Art, 2016
Gwynne, Joel, ed., Transgression in Anglo-American cinema: gender, sex and the deviant body, text by Alison Garden, London, Wallflower Press, 2016 pp. 57-72
Edwards, Adrienne, ed., Blackness in Abstraction, New York: Pace Gallery, 2016
Martins, Adriana, Alexandra Lopes and Mónica Dias, eds., Mediations of Disruption in Post-Conflict Cinema, London: Palgrave Macmillan, 2016 pp. 145-156
Crosby, Eric, Ordinary Pictures, Minneapolis: Walker Art Center, 2016 pp. 138-139
Hoffman, Jens, ed., Animality, London: Marian Goodman Gallery, 2016 p. 203
2015
Sullivan, Greg, ed., Fighting History: 250 Years of British History Painting, London: Tate Publishing, p. 49 ill.
Kohleif, Omar, ed., Documents of Contemporary Art: Moving Image, London: Whitechapel Gallery; Cambridge MA: MIT Press, 2015
Farquharson, Alex, Francesco Manacorda and Andrea Nixon, eds. Glenn Ligon: Encounters and Collisions, Nottingham: Nottingham Contemporary; London: Tate Publishing, 2015 pp. 106-107 ill.
Enwezor, Okwui and Luz Gyalui, eds., All the world's futures, text by Tim Roerig, Venice: 56e Venice Biennale; 2015 pp. 117-118 ill.
Let There Be More Light, San Francisco: Jessica Silverman Gallery. 2015 p. 25 ill.
Bevan, Sara, Art from Contemporary Conflict, London: Imperial War Museums, 2015 pp. 46-47
Hegarty, Paul, Rumour and radiation: Sound in video art, London: Bloomsbury Academic, 2015 pp. 135-144
The Essential Guide, Chicago: Art Institute of Chicago, 2015 (4th edition) p. 276 ill.
The Unfinished Conversation: Encoding/Decoding. Toronto: The Power Plant and Autograph ABP, 2015
2014
Open this End. Los Angeles: Skylark Foundation, 2014
Robb, Leigh, Madison Magladry and Tim Gregory, eds., Dead ringer, Northbridge: Perth Institute Contemporary Art, 2014
Chambers, Eddie, Black Artist in British art. A History from 1950 to Present, London: I.B. Tauris & Co. Ltd., 2014 pp. 184-194
Ward, Ossian,Ways of Looking: How to Experience Contemporary Art. London: Lawrence King Publishing, 2014
Downey, Anthony, Art and Politics Now, London: Thames and Hudson, 2014
2013
Merivirta, Raita, ed., Frontiers of Screen History: Imagining European Borders in Cinema, 1945-2010, Bristol: Intellect Books, 2013 pp. 235-260
Grovier, Kelly, 100 works of art that will define our age, London: Thames & Hudson, 2013
Twelve years a slave, foreword by Steve McQueen, New York: Penguin Books, 2013
Demos, T.J., The Migrant Image: The Art and Politics of Documentary during Global Crisis, Durham: Duke University Press, 2013 pp. 33-53
Didi-Huberman, Georges, Sur le fil, Paris: Les Éditions de Minuit, 2013
Besser Scheitern: Film + Video, Hamburg: Hamburger Kunsthalle, 2013
Nairne, Sandy. 21st Century Portraits, London: National Portrait Gallery, 2013
2012
Migrations: Journeys into British Art, London: Tate, 2012 pp. 94-101
Chambers, Eddie, Things done change: the cultural politics of recent black artists in Britain, Amsterdam: Editions Rodopi, 2012
Slyce, John, Contemporary art in the United Kingdom, London: Black Dog Publishing, 2012
2011
Akerman, Jeremy and Eileen Daly, eds., The collected writings of Jon Thompson, London: Ridinghouse, 2011
Buhrs, Michael, ed., Street life and home stories: Photographs from the Goetz Collection, Munich: Villa Stuck; Ostfildern: Hatje Cantz Verlag, 2011
Spector, Nancy ed., The Luminous Interval, text by Susan Thompson, New York: Solomon R. Guggenheim Foundation, 2011 pp. 144-149
Pooke, Grant, Contemporary British Art, an Introduction, London; New York: Routeledge, 2011
2010
The Future Demands Your Participation: Contemporary Art from the British Council Collection, Shanghai: Shanghai International Culture Association; London: British Council, 2010 pp. 56-57
Elliot, David, et al. ed., The Beauty of Distance. Songs of Survival in a Precarious Age, Sydney: 17th Biennial of Sydney; London: Thames & Hudson, 2010 pp. 200, 296
51st October Salon. Belgrade: The Cultural Center of Belgrade, 2010.
2009
Fare Mondi (Making Worlds). Venice: La Biennale di Venezia, 2009.
Eccles, Diana, Hannah Hunt and Katie Boot, British Council Collection, London: British Council, 2009 pp. 96-97
Högkvist, Stina, ed., Hypocrisy: The Site Specificity of Morality, Oslo: Nasjonalmuseet for kunst, arkitektur og design, 2009 pp. 84-87 ill.
UK at the Venice Biennale: Steve McQueen, Great Britain/John Cale, Wales/Martin Boyce, Scotland/Susan MacWilliam, Northern Ireland, London: British Council, 2009
Eleey, Peter, ed., The Quick and the Dead, Minneapolis: Walker Art Center, 2009 pp. 250-251 ill.
Gioè, Angelo and Maria Rosa Sossai, eds., Sounds & Visions: Artists' films and videos from Europe: The last decade, Cinisello Balsamo, Milano: Silvana Editoriale, 2009
Evans, David, ed., Documents of Contemporary Art: Appropriation, London: Whitechapel Gallery; Cambridge MA: MIT Press, 2009
Schwartzman, Allan, Jochen Volz and Rodrigo Moura, eds., Through: Inhotim, Brumadinho: Instituto Inhotim, 2009
2008
This is not to be looked at: highlights from the permanent collection of the Museum of Contemporary Art, Los Angeles, Los Angeles: Museum of Contemporary Art, Los Angeles, 2008
Hoffman, Jens and Claire Fitzsimmons, eds., The Wizard of OZ, San Francisco: California College of the Arts, 2008 pp. 44-45
O'Reilly, Sally, The Body in Contemporary Art, London: Thames & Hudson, 2009
The Cinema Effect: Illusion, Reality and the Moving Image, Washington D.C: Washington Hirshhorn Museum and Sculpture Garden, 2008
Arkive City, Interface, University of Ulster, Belfast and Locus+Archive, Newcastle Upon Tyne, England, 2008 p 122-123
History in the Making. A Retrospective of the Turner Prize, Tokyo: Mori Art Museum, 2008 pp. 34-35, 102
Zonas de risc (Risk Zones), Barcelona: Fundació La Caixa, 2008 pp. 66-67
2007
Gerald, Matt. Interviews, Vienna: Kunsthalle Wien, 2007, pp. 232-237
Storr, Robert, ed., Think with the Senses feel with the Mind: Art in the present tense, Venice: La Biennale di Venezia, 2007
Buchloh, Benjamin H D, ed., 30/40: A Selection of Forty Artists from Thirty Years at Marian Goodman Gallery, New York: Marian Goodman Gallery, 2007
Bickers, Patricia and Andrew Wilson eds., 'Let's Get Physical', appears in Talking Art Vol 1., originally printed in Art Monthly December 1996/January 1997, London: Ridinghouse, 2007 pp. 495-504
Vertigo: A century of multimedia art from futurism to the web, Bologna: Museo d'Arte Moderna di Bologna, 2008
Free electrons: Selected videos from the Lemaître collection, San Sebastián: Tabacalera, 2007
27 April - 17 June 2007
2006
Leslie, John and Mark Diaper, eds., The Starry Messenger: Visions of the Universe, Warwickshire: Compton Verney, 2006 pp. 54-55 ill.
Enwezor, Okwui, ed., The Unhomely: Phantom Scenes in a Global Society, Seville: BIACS, 2006
Michaud, Philippe-Alain., Le Mouvement des Images (The Movement of Images), Paris: Centre Georges Pompidou, 2006
Tawadros, Gilane, ed., Brighton Photo Biennial 2006, Brighton: Photoworks, BPB, 2006 p. 141
On/Off. Luxembourg: Casino Luxembourg, Forum d'art Contemporain, 2006.
2005
WOW (The work of the work). Seattle: Henry Art Gallery, 2005.
Millar, Jeremy, ed., Place, London: Thames & Hudson, 2005
Heynen, Julian, eds., Collection k21 Kunstammlung Nordrhein-Westfalen, Dusseldorf: K21; Cologne: DuMont, 2005
2004
Amano, Taro, ed., Non-sect radical: Contemporary photography III, Yokohama: Yokohama Museum of Art, 2004 p. 187, pl. 42
Faces in the Crowd: Picturing Modern life from Manet to today, London: Whitechapel Art Gallery; Rivoli: Castello di Rivoli; Milan: Skira, 2004
Tawadros, Gilane, ed., Changing States: Contemporary art and ideas in an era of globalisation, London: Institute of International Visual Arts, 2004
2003
Cork, Richard, Annus mirabillis? Art in the year 2000, New Haven; London: Yale University Press, 2003
Rush, Michael, Video Art, London: Thames and Hudson, 2003 pp. 39, 63, 117-118 ill.
Cork, Richard, Breaking Down the Barriers: art in the 1990s, New Haven: Yale University Press, 2003 pp. 27, 109-112
Fast Forward: Media art in the Goetz Collection, Hamburg: Goetz, 2003
Dennison, Lisa, Nancy Spector and Joan Young, eds., Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, New York: Solomon R. Guggenheim Museum, 2003, p. 23 ill.
2002
Documenta 11_platform5, Kassel: Museum Fridericianum; Ostfildern-Ruit: Hatje Cantz Publishers, 2002
Lingwood, James, Gerrie van Noord and Marina Warner, eds., Off limits: 40 Artangel projects, London: Artangel, Merrell; New York: Rizzoli International Publishing, 2002
Video Acts. Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, New York: Museum of Modern Art PS1, 2002
Real Life: Film and video art, London: Tate Publishing, 2002
Sudden glory: sights gags and slapstick in contemporary art, San Francisco: California College of Arts and Crafts, 2002
2001
Public Offerings, Los Angeles: Museum of Contemporary Art, 2001 pp. 86-89, 182
Schlieker, Andrea, ed., Double Vision, Berlin: DAAD; London: British Council, 2001
2000
Tate Modern: The Handbook, London: Tate Gallery Publishing Ltd., 2000
Song, Misook. ed., media_city Seoul 2000, Seoul: inter media_city Seoul, 2000 pp. 106-107 ill.
Making a scene: performing culture into politics (performativity and performance in contemporary politics and art practice), London: Article Press in association with Ikon Publishing (Birmingham), 2000
Stigter, Diana and Philippa van Loon, eds., Home is where the heart is, Amsterdam: Museum van Loon, 2000
Enwezor, Okwui, ed., Il bordo dello specchio/Mirror's edge, Rivoli: Castello di Rivoli, 2000
1999
Button, Virginia, The Turner Prize: Twenty Years, London: Tate Publishing, 1999, p. 153-154 ill.
Button, Virginia, The Turner Prize, London: Tate Publishing, 1999, p. 154-155 ill.
Ross, David. A., Seeing Time: Selections from the Pamela and Richard Kramlich collection of Media Art, San Francisco: San Francisco Museum of Modern Art, 1999
Bonami, Francesco and Hans Ulrich Obrist, eds., Sogni/Dreams - project of the Fondazione Sandretto Re Rebaudengo per l'Arte, Rome: Roma Castelvecchi Arte, 1999 p. 82
Wiehager, Renate, ed., The Space Here is Everywhere: Art and Architecture, Esslingen: Galerien der Stadt, 1999
Common People: Arte inglese tra fenomeno e realtà, Turin: Torino Publishing, 1999
Moments in Time. On Narration and Slowness, Munich: Städtische Galerie in Lenbachaus und Kunstbau München, 1999
1998
Ironisch/Ironic, Zurich: Migros Publishing, 1998
Cream: Contemporary art in culture, London: Phaidon Press, 1998
Wounds: Between Democracy and Redemption in Contemporary Art, Stockholm: Moderna Museet, 1998
1997
Trade Routes, Johannesburg: Johannesburg Biennale, 1997
Documenta X: Short guide, Ostfildern-Ruitb: Cantz, 1997
1996
Buck, Louisa, Moving Targets: A User's Guide to British Art Now, London: Tate Gallery Publishing, 1996 pp. 81-83 ill.
Can Tuyl, Gijs and Veit Görner, eds., Full House: Junge Britische Kunst, Wolfsburg: Kunstmuseum Wolfsburg, 1996
Spellbound: Art and Film, text by Martha Geever, London: British Film Institute; Hayward Gallery, 1996
Pagé, Suzanne, Laurence Bossé and Hans Ulrich Obrist, eds., Life/live: la scène artistique au Royaume-Uni en 1996 de Nouvelles aventures, Paris: Parise-Musées, 1996
6th International contemporary art exhibition, Toyama-shi: Museum of Modern Art Toyama, 1996
Codognato, Mario, Artisti Britannici a Roma, Turin: Umberto Allemandi, 1996
1995
The British Art Show 4, texts by Richard Cor, Rose Finn-Kelcey, Thomas Lawson, London: South Bank Centre, 1995
Nouveau Média X/Y, Paris: Centre Georges Pompidou, 1995
Mirage. Enigmas of Race, Difference and Desire, London: Institute of Contemporary Arts, 1995
1994
Acting Out: The Body in Video: Then and Now, London: Royal College of Art, 1994 p. 38 ill.