Paul Thek

 

Bibliography  

 

Monographs

 

2023

Benson Miller, Peter, and Nicola Del Roscio, Paul Thek: Italian Hours, Milan: Humboldt Books, 2023

 

2022

Da Costa, Valérie, Paul Thek en Italie/Paul Thek in Italy (1962-1976), Dijon: Les presses du réel, 2022

 

2019

Bonin, Ted, Paul Thek: I AM, AM I?, Brussels: Jan Mot, 2019

 

2015

‘Please write!’, Paul Thek and Franz Deckwitz: an Artists’ Friendship, Rotterdam: Museum Boijmans van Beuningen, 2015

 

2014

Paul Thek: From Cross to Crib, Cologne: Verlag der Buchhandlung Walther König, 2014

Neubauer, Susanne, Paul Thek in Process: Commentaries on, of an Exhibition, Berlin: Revolver Publishing, 2014

 

2013

Nothing But Time: Paul Thek Revisited 1964-1987, London: Pace Gallery, 2013

 

2012

Kraus, Stefan, Ulrike Surmann, Marc Steinmann and Barbara von Flüe, eds., Paul Thek: Shrine, Cologne: Kolumba, 2012

Neubauer, Susanne, Paul Thek in Process, Zurich: JRP|Ringier, 2012

Brehm, Markus, ed., Paul Thek: Briefe an Susan Sontag, Peter Hujar, Charles Shuts, Hamburg: Philo Fine Arts, 2012

 

2011

A document made by Paul Thek and Edwin Klein, New York: Alexander Bonin, 2011

 

2010

Sussman, Elisabeth, and Lynn Zelevansky, Paul Thek: Diver, A Retrospective, New York: Whitney Museum of American Art; Pittsburgh: Carnegie Museum of Art, 2010

 

2009

Rispa, Paul, ed., Paul Thek: artista de artistas. Obras y procesiones de 1958-1988, Madrid: Documenta Artes y Ciencias Visuales, Museo Nacional Centro de Arte Reina Sofia, 2009

 

2008

Brehm, Margrit, Axel Heil, and Roberto Ohrt, Paul Thek: Tales the Tortoise Taught Us, Cologne: Verlag der Buchhandlung Walther König, 2008

Falckenberg, Harald, and Peter Weibel, eds., Paul Thek: Artist’s Artist, Karlsruhe: ZKM | Center for Art and Media Karlsruhe, 2008

 

2005

Document 2 and 3 made by Paul Thek and Edwin Klein, text by Gary Indiana, New York: Janos Gat Gallery, 2005

 

2004

Wittmann, Philipp, Paul Thek: Vom Frühwerk zu den “Technologischen Reliquiaren”,Friedland: Klaus Bielefeld, 2004

 

1999

Mac Giolla Léith, Caoimhín, Simon Morrissey, and Tim Head, Paul Thek, London: Camden Arts Centre; Dublin: Douglas Hyde Gallery, 1999

 

1998

Paul Thek: Paintings, Works on Paper and Notebooks 1970–1988, texts by Kathy Cottong and Michael Klein, Chicago: The Arts Club of Chicago, 1998

 

1997

Paul Thek, Cologne: Das Diözesanmuseum Köln, 1997

 

1996

Morgan, Stuart, Paul Thek: The Man Who Couldn't Get Up. What the Butler Saw, London: Durian

Publications Ltd., 1996

 

1995

Paul Thek: The Wonderful World That Almost Was, texts by Ann Wilson, Harald Szeemann, Richard Flood, Marietta Franke and Holland Cotter, Rotterdam: Witte de With, Center for Contemporary Art, 1995

Thek, Paul, and Barba Tosi, Opere Scelte, Rome: Because I Love Gallery, Guido Nove Editore, 1995

 

1993

Franke, Marietta, Work in Progress—Art Is Liturgy: Das historisch-prozessuale und betrachterbezogene Ausstellungskonzept von Paul Thek, Frankfurt: Peter Lang, 1993

Lucian Freud, Paul Thek: Etchings, Miami: Miami-Dade Community College Kendall Campus Art Gallery, 1993

Paul Thek: Skulpturen und Zeichnungen 1964-1976, Zurich: Mai 36 Gallery, 1993

 

1992

Ammann, Jean-Christophe, Mike Kelley, and Giorgio Magnani, Paul Thek, Turin: Castello de Rivara, 1992

 

1979

Paul Thek, Rotterdam: Lijbaancentrum, 1979

 

1977

Paul Thek/Proccessions, text by Suzanne Delehanty, Philadelphia: Institute of Contemporary Art, 1977

 

1976

Paul Thek: The Personal Effects of the Pied Piper, text by Paul Thek, Paris: Galerie Alexandre Iolas, 1976

 

1975

Paul Thek, text by Harald Szeemann, Paris: Galerie Alexandre Iolas, 1975

 

1973

Paul Thek, New York Environment. Die Krippe, text by Siegfried Salzmann, Duisburg, Germany:

Wilhelm Lehmbruck Museum, 1973

 

1969

Thek, Paul, and Wim Crouwel, Paul Thek, Amsterdam: Stedelijk Museum, 1969

Thek, Paul, and Edwin Klein, A document made by Paul Thek and Edwin Klein, Amsterdam: Stedelijk Museum; Stockholm: Moderna Museet, 1969

 

1968

Galerie M. E. Thelen, Paul Thek: A Procession in Honor of Aesthetic Progress: Objects to Theoretically Wear, Carry, Pull or Wave, Essen: Galerie M. E. Thelen, 1968

 

Exhibition Catalogues & Selected Publications

 

2012

Diacono, Mario, and Giancarlo M. G. Scoditti, Huma Bhabha. Players, Milan: Silvana Editoriale, 2021

Draw It with Your Eyes Closed: The Art of the Art Assignment, New York: Paper Monument, 2012

Shock of the News, Washington, D.C.: National Gallery of Art, 2012

20+ Years Witte de With, Rotterdam: Witte de With, Center for Contemporary Art, 2012

 

2011

Dead Flowers, Philadelphia; New York: Vox Populi, 2011

 

2010

Margins of Silence, Cáceres: Centro de Artes Visuales de Cáceres, 2010

 

2009

Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection, New York: The Museum of Modern Art, 2009

 

2008

Baume, Nicholas, Anish Kapoor: Past Present Future, Boston: The Institute of Contemporary Art, 2008

Bock, John, John Bock: Klütterkammer, Cologne: Verlag der Buchhandlung Walther König, 2008

Centre Pompidou, Traces du Sacré, Paris: Éditions du Centre Pompidou, 2008

Fogle, Douglas, ed., Life on Mars: 55th Carnegie International, Pittsburgh: Carnegie Museum of Art, 2008

Monovoisin, Alain, Dictionnaire International de la Sculpture Moderne & Contemporaine, Paris: Éditions du Regard, 2008

Munder, Heike, ed., Sammlung/Collection Migros Museum für Gegenwartskunst Zürich, 1978-2008, Zurich: Migros Museum für Gegenwartskunst; JRP|Ringier, 2008

Rugoff, Ralph, ed., Psycho Buildings: Artists Take on Architecture, London: Hayward Publishing, 2008

Sguardo periferico & corpo collettivo, Bolzano: Museion - Museum of Modern and Contemporary Art, 2008

 

2007

Bezzola, Tobia, and Roman Kurzmeyer, eds., Harald Szeeman - with by through because towards despite: Catalogue of All Exhibitions, 1957 - 2005, Zurich: Edition Voldemeer, 2007

Georgsdorf, Heiner, ed., Arnold Bode: Schriften und Gespräche, Berlin: Siebenhaar, 2007

Kimpel, Harald, and Karin Stengel, Documenta 4 1968: Internationale Ausstellung: Eine fotografische Rekonstruktion, Bremen: Edition Temmen, 2007

 

2006

Biesenbach, Klaus, Into Me/Out of Me, Berlin: Hatje Cantz, 2006

Kunstmuseum Bern, Six Feet Under - Autopsie unseres Umgangs mit Toten, Berlin/Bielefeld: Kerber Verlag, 2006

Kunstmuseum Winterthur, Plane/Figure: Amerikanische Kunst aus Schweizer Privatsammlungen und aus dem Kunstmuseum Winterthur, Dusseldorf: Heinrich Winterscheidt, 2006

Small Sculpture: Vija Celmins, Katharine Fritsch, Robert Gober, Martin Honert, Jasper Johns, Ellsworth Kelly, Charles Ray, Dieter Roth, Paul Thek, New York: Matthew Marks Gallery, 2006

Wagner, Frank, Kasper König, Julia Friedrich, eds., The Eight Square: Gender, Life, and Desire in the Arts Since 1960/ Das achte Feld Geschlechter, Leben und Begehren in der Kunst seit 1960, Berlin: Hatje Cantz, 2006

 

2005

Bishop, Claire, Installation Art: A Critical History, London: Tate Publishing, 2005

Bonami, Francesco, ed., Bidibidobidibo: Works from Collezione Sandretto Re Rebaudengo, Milan: Skira, 2005

Dermisache, Mirtha, Ana Hatherly, and Jorge Pinheiro, eds., Da escrita á figura: Desenhos da colecção da Fundação de Serralves, Lisbon: Assírio & Alvim, 2005

Glasmeier, Michael, Karin Stengel, and Kunsthalle Fridericianum, eds., 50 Jahre Documenta, 1955-2005, Göttingen: Steidl, 2005

 

2003

Aquin, Stéphane, ed., Global Village: The 1960s, Montreal: The Montreal Museum of Fine Arts, 2003

Bewitched, bothered and bewildered: Spatial emotion in contemporary art and architecture, Zurich: Migros Museum für Gegenwartskunst; Gdansk, Poland: Łaznia Centre for Contemporary Art, 2003

Brockhaus, Christoph, ed., Stadtlicht—Lichtkunst: Ein Projekt der Initiative Stadtbaukultur des Landes

Nordrhein Westfalen, Duisburg: Wilhelm Lehmbruck Museum, 2003

Cameron, Dan, Liza Kirwin, and Alan W. Moore, East Village USA, New York: New Museum of Contemporary Art, 2003

Kelley, Mike, Foul Perfection: Essays and Criticism, Cambridge: MIT Press, 2003

Kelley, Mike, The Uncanny, Cologne: Verlag der Buchhandlung Walther König, 2003

Laubard, Charlotte, Chiara Parisi, Alessandro Rabottini, and Marcello Smarelli, Fuoriuso 2003: Great

Expectations, Pescara: Ferrotel Passaggio Culturale, 2003

Nickas, Robert, After the Observatory, New York: Paula Cooper Gallery, 2003

Poetter, Jochen, Kunst im 20. Jahrhundert, Cologne: DuMont Literatur und Kunst, 2003

 

2002

Beil, Ralph, Künstlerküche: Lebensmittel als Kunstmaterial: Von Schiele bis Jason Rhoades, Cologne:

DuMont Literatur und Kunst, 2002

Butin, Hubertus, ed., DuMonts Begriffslexikon zur zeitgenössischen Kunst, Cologne: DuMont Literatur

und Kunst, 2002

Curtis, Penelope, et al., The Object Sculpture, Leeds: Henry Moore Institute, 2002

Guldemond, Japp, ed., Imagine, You Are Standing Here in Front of Me: Caldic Collectie, Rotterdam: NAi Publishers, Museum Boijmans Van Beuningen, Caldic Collectie, 2002

My Head is on Fire but my Heart is Full of Love, Copenhagen: Charlottenborg Udstillingsbygning, 2002

Schneede, Marina, Mit Haut und Haaren: Der Körper in der zeitgenössischen Kunst, Cologne: DuMont Literatur und Kunst, 2002

 

2001

American Visionaries: Selections from the Whitney Museum of American Art, New York: Whitney

Museum of American Art, 2001

Fogle, Douglas, ed., Painting at the Edge of the World, Minneapolis: Walker Art Center, 2001

Folie, Sabine, and Michael Glasmeier, Eine Barocke Party: Augenblicke des Welttheaters in der

zeitgenössischen Kunst, Vienna: Kunsthalle Wien, 2001

Hutchinson, John, Patmos, Dublin: The Douglas Hyde Gallery, 2001

Nachtigäller, Roland, Friedhelm Scharf, and Karin Stengel, Wiedervorlage d5: Eine Befragung des Archivs zur documenta 1972, Berlin: Hatje Cantz, 2001

Princenthal, Nancy, and Jennifer Dowley, A Creative Legacy: A History of the National Endowment for

the Arts Visual Artists’ Fellowship Program, New York: Harry N. Abrams, 2001

Tegelaers, Theo, ed., Prodigal Prodigy, New York: White Box, TT Inc., 2001

 

2000

Brockhaus, Christoph, ed., Wilhelm Lehmbruck Museum Duisburg, Munich: Prestel, 2000

Eiblmayr, Silvia and Christina von Braun, Die verletzte Diva: Hysterie, Körper, Technik in der Kunst des 20. Jahrhunderts, Cologne: Oktagon, 2000

Kraus, Chris, Aliens and Anorexia, Santa Monica: Smart Art Press, 2000

Rugoff, Ralph, Small World: Dioramas in Contemporary Art, La Jolla: Museum of Contemporary Art San Diego, 2000

 

1999

Dreishpoon, Douglas, ed., Highlights from The Dillard Collection of Art on Paper: Drawn Across the

Country, Greensboro: Weatherspoon Art Gallery, 1999

Germer, Stefan, ‘Full Fathom Five My Father Lies: Vermutungen zur Aktualität Paul Theks,’ in

Jahresring 46: Jahrbuch für Moderne Kunst, Cologne: Oktagon, 2000

Phillips, Lisa, ed., The American Century: Art & Culture, 1950–2000, New York: Whitney Museum of American Art, 2000

Todolí, Vincente, ed., Circa 1968, Porto: Fundação de Serralves, 1999.

 

1998

Kunsthalle Bremen: Meisterwerke Gemälde, Skulpturen, Pastelle und Neue Medien, Bremen: Hauschild, 1998

Lulf, Barbara, Christoph Brockhaus, and Wilhelm Lehmbruck Museum, Zeichnungen: Wilhelm

Lehmbruck Museum, Bestandskatalog, Duisburg: Wilhelm Lehmbruck Museum, 1998

Teuber, Dirk, and Diözesanmuseum Köln, Der unendliche Raum dehnt sich aus, Baden-Baden: Das Diözesanmuseum Köln zu Gast in der Staatlichen Kunsthalle Baden-Baden, Koelblin, 1998

 

1997

The Hirshhorn Collects: Recent Acquisitions 1992–1996, Washington, D.C.: Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, 1997

Kruse, Petra, and Helga Willinghofer, Die Kunsthalle Bremen zu Gast in Bonn: Meisterwerke aus sechs Jahrhunderten, Bonn: Wienand, 1997

Quadri, Franco, Robert Wilson, Paris: Éditions Plume, 1997

 

1996

Art’s Communities/AIDS’ Communities: Realizing the Archive Project, New York: Visual AIDS for the Arts, 1996

Hirshhorn Museum and Sculpture Garden: 150 Works of Art, Washington D.C.: Smithsonian Institution; New York: Harry N. Abrams, 1996

Kunst des 20. Jahrhunderts Museum Ludwig Köln, Cologne: Benedikt Taschen, 1996

Smithson, Robert, ‘Entropy and the New Monuments,’ in Robert Smithson: The Collected Writings, edited by Jack Flam, Berkeley: University of California Press, 1996

Weintraub, Linda, Arthur Danto, and Thomas McEvilley, Art on the Edge and Over: Searching for Art’s

Meaning in Contemporary Society, 1970s–1990s, Litchfield: Art Insights, 1996

 

1995

Geissmar-Brandi, Christoph, and Eleonora Louis, eds., Glaube, Hoffnung, Liebe, Tod, Vienna: Kunsthalle Wein, Graphische Sammlung Albertina, 1995

 

1994

Cummings, Paul, Dictionary of Contemporary American Artists, New York: St. Martin’s Press, 1994

Franciolli, Marco, and Rein Wolfs, Zeitgenönossiche Kunst aus der Sammlung des Migros-Genossenschaft-Bundes, Zurich: Migros Genossenschaft Bund, Direktion Kultur und Soziales, 1994

Gipes, Terry, and Bradley Spence, Significant Losses: Artists Who Have Died from AIDS, Baltimore: The Art Gallery, University of Maryland at College Park, 1994

Stahel, Urs, and Hripsime Visser, eds., Peter Hujar: A Retrospective, Zurich: Scalo; Amsterdam: Stedelijk Museum; Winterthur: Fotomuseum Winterthur, 1994

 

1993

Adolphs, Volker, Der Künstler und der Tod: Selbstdarstellungen in der Kunst des 19. und 20. Jahrhunderts, Cologne: Walther König, 1993

Already Buddha, Greenville: Greenville County Museum of Art, 1993

Kelley, Mike, The Uncanny, Arnhem: Gemeentemuseum, 1993

Langer, Heiderose, ed., Katalog der Neuerwerbungen und Schenkungen, 1985–1993, Bremen: Kunsthalle Bremen, 1993

Loers, Viet, ed., Nachtschattengewächse/The Nightshade Family, Kassel: Museum Fridericianum, 1993

Wiederbegegnung mit Unbekanntem: Ein Rundgang, Cologne: Diözesanmuseum Köln, 1993

 

1992

Future Safe: The Present Is the Future, a Publication of the Estate Project for Artists with Aids, New

York: Alliance for the Arts, 1992

Ostrow, Saul, Mssr. B’s Curio Shop, New York: Thread Waxing Space, 1992

 

1991

Heller, Renate Heidt, Bildhauerzeichnungen des Wilhelm Lehmbruck Museums Duisburg, Duisburg: Wilhelm Lehmbruck Museum, 1991

 

1990

Word as Image: American Art, 1960–1990, Milwaukee: Milwaukee Art Museum, 1990

 

1989

Doty, Robert M., and Phyllis Kind, Human Concern/Personal Torment: The Grotesque in American Art, Revisited, New York: Phyllis Kind Gallery, 1989

Naylor, Colin, ed., Contemporary Artists, London: St. James Press, 1989

Sontag, Susan, AIDS and its Metaphors, New York: Farrar, Straus and Giroux, 1989

 

1987

Artcake, 1980-1986: Private Sammeln Gegenwartskunst, Zurich: Kunsthaus Zurich, 1987

Fisher, Joel, The Success of Failure, New York: Independent Curators Incorporated, 1987

 

1986

Chambres d’amis, Ghent: Museum van Hedendaagse Kunst, 1986

Ruhrberg, Karl, Kunst im 20. Jahrhundert: Das Museum Ludwig Köln, Stuttgart: Klett-Cotta, 1986

 

1985

Catálogo Geral: 18a Bienal Internacional de São Paulo, São Paulo: Fundação Bienal de São Paulo, 1985

Flood, Richard, Memento Mori, Philadelphia: Goldie Paley Gallery, Moore College of Art, 1985

 

1984

Felshin, Nina, Disarming Images: Art for Nuclear Disarmament, New York: Adama Books, 1984

Fox, Howard N., Miranda McClintic, and Phyllis Rosenzweig, Content: A Contemporary Focus, 1974–

1984, Washington, D.C.: Smithsonian Institution Press, 1984

Joosten, Joot M, jaar verzamelen: Aanwinsten Stedelijk Museum Amsterdam, 1963–1984: Schilder—en beeldhouwkunst, Amsterdam: Stedelijk Museum, 1984

 

1983

Compton, Michael, New Art at the Tate Gallery, 1983, London: Tate Gallery, 1983

Flood, Richard, The Sixth Day: A Survey of Recent Developments in Figurative Sculpture, Chicago: The Renaissance Society at the University of Chicago, 1983

Urban Pulses: The Artist and the City, Pittsburgh: Pittsburgh Plan for Art, 1983

 

1982

Davidson, Steef, Drugs: Kruiden van hemel en hel, Helmond: Uitgeverij Helmond; Antwerp: Standaard Uitgeverij, 1982

Tableaux: Nine Contemporary Sculptors, Cincinnati: The Contemporary Arts Center, 1982

 

1981

Continuous Creation: Rooms by Robert Filiou, Bruce Lacey, Jill Bruce, Anna Opperman, Paul Thek, London: Arts Council of Great Britain, 1981

Glozer, Laszlo, Westkunst: Zeitgenössische Kunst seit 1939, Cologne: DuMont, 1981

Kren, Alfred, Drawing Distinctions: American Drawings of the Seventies, Munich: Alfred Kren/Prestel, 1981

Salzmann, Siegfried, Das Wilhelm Lehmbruck Museum Duisburg, Recklinghausen: Aurel Bongers, 1981

 

1980

Dogliani, Gianfranco, ed., La Biennale di Venezia: Section of Visual Arts, Venice: Edizioni La Biennale di Venezia, 1980

Lucie-Smith, Edward, Art in the Seventies, Ithaca: Cornell University Press; London: Phaidon, 1980

Szeemann, Harald, ‘Dank Paul Thek . . .’ in Zeichen des Glaubens, Geist der Avantgarde: Religiöse

Tendenzen in der Kunst des 20. Jahrhunderts, edited by Wieland Schmied, Stuttgart: Electa/Klett-Cotta, 1980

 

1979

​​Smithson, Robert, Philip Leider, and Nancy Holt, The Writings of Robert Smithson, New York: New York University Press, 1979

 

1978

Plastiken und Objekte: Bestandskatalog des Wilhelm Lehmbruck Museums der Stadt Duisburg,

Duisburg: Wilhelm Lehmbruck Museum, 1978

 

1976

La Biennale di Venezia, 1976: Environment, Participation, Cultural Structures, Venice: Alfieri Edizioni d’Arte, 1976

 

1975

Menace, Chicago: Museum of Contemporary Art, 1975

Popper, Frank, Art, Action, and Participation, New York: New York University Press, 1975

Rosenberg, Harold, Art on the Edge, New York: Macmillan Publishing Co., 1975

 

1974

Henri, Adrian, Total Art: Environments, Happenings, and Performance, New York: Praeger Publishers,

1974

 

1973

Ark, Pyramid-Easter, text by Jean-Christophe Ammann, Lucerne: Kunstmuseum Luzern, 1973

Budde, Rainer, and Evelyn Weiss, Katalog der Bildwerke und Objekte: Neuzugänge seit 1965 im Wallraf Richartz Museum mit Teilen der Sammlung Ludwig, Cologne: Wallraf Richartz Museum, 1973

 

1972

documenta 5: Befragung der Realität Bildwelten heute, Kassel: Documenta/Bertelsmann, 1972

Orzechowski, Lothar, Stichworte zur documenta 5: Die Kunst befragt sich selbst, Kassel: Druck und

Verlag Kassel, 1972

 

1971

Colker, Ed, and Stephen S. Prokopoff, Depth and Presence, Washington, D.C.: The Corcoran Gallery of Art, 1971

Continuing Surrealism, La Jolla: La Jolla Museum of Art, 1971

Gene Swenson: Retrospective for a Critic, Lawrence: University of Kansas, Museum of Art, 1971

Gribling, F., and F. Reynders, Kunsthistorici verzamelen eigentijydse kunst: von Appel tot Sykora, Amsterdam: Kunsthistorisch Instituut van Amsterdam Vermeerstraat, 1971

Kudo, Tetsumi and Udo Kultermann, ‘Everything is Metamorphosing’ in Art and Life, translated by John William Gabriel, New York: Praeger Publishers, 1971

Müller, Johann Heinrich, and von der Heydt Museum, Fünf Sammler: Kunst unserer zeit, Wuppertal: von der Heydt Museum, 1971

Thomas, Karin, Bis Heute: Stilgeschicte der bildenden Kunst im 20, Cologne: Jahrhundert, M. Dumont

Schauberg, 1971

 

1970

Figures/Environments, Minneapolis: Walker Art Center, 1970

 

1969

Art ’69, Helsinki: Ateneumin Taidemuseo, 1969

Doty, Robert, Human Concern/Personal Torment: The Grotesque in American Art, New York: Whitney Museum of American Art, 1969

Vergine, Lea, Irritarte, Milan: Galleria Milano, 1970

von der Osten, Gert, and Horst Keller, eds., Kunst der sechziger Jahre, Cologne: Wallraf Richartz Museum, 1969

 

1968

Amaya, Mario, The Obsessive Image, 1960–1968, London: The Institute of Contemporary Arts, 1968

Art of the 60’s: Selections from the Collection of Hanford Yan, Ridgefield: Aldrich Museum of Contemporary Art, 1968

Battcock, Gregory, Minimal Art: A Critical Anthology, New York: E.P. Dutton & Company, 1968

Fischer, Konrad, and Hans Strelow, Düsseldorf Prospect 68, Düsseldorf: Städtische

Kunsthalle Düsseldorf, 1968

Müller-Hauck, Janni, ed., documenta 4, Vol. 2, Kassel: Druck und Verlag Kassel, 1968

 

1967

The Pittsburgh International Exhibition of Contemporary Painting and Sculpture, Pittsburgh: Carnegie Institute, 1967

 

1966

Battcock, Gregory, ed., The New Art: A Critical Anthology, New York: E.P. Dutton & Company, 1966

Sontag, Susan, Against Interpretation, New York: Farrar, Straus, and Giroux, 1966

Swenson, Gene R, The Other Tradition, Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1966

 

1965

Ashton, Dore, A Contemporary Collection of Painting and Sculpture. Selected from the Collection of Eleanor Ward, New London, Connecticut: Lyman Allyn Art Museum, 1965

Kirby, Michael, Beyond Realism, New York: Pace Gallery, 1965

One Hundred Contemporary American Drawing, Ann Arbor: The University of Michigan Museum of Art, 1965

 

Selected Writing & Text Contributions

 

2007

Thek, Paul, ‘Unterrichtskonzept: 4-dimensionales Design/Paul Thek,’ in Künstler in der Lehre: Texte von Ad Reinhardt bis Ulrike Grossarth, edited by Elke Bippus and Michael Glasmeier, Hamburg: Philo Fine Arts, 2007