Thomas Dane Gallery
  • Menu
  • Artists
  • Exhibitions
  • Publications
  • News
  • Sustainability
  • Contact
Search

Steve McQueen

  • Works
  • CV
  • Biography
  • Bibliography
  • Exhibitions
  • Publications
  • News/Archive
  • Video
Barrage Being the earliest, as well as one of few photographic bodies of work by Steve McQueen, the series Barrage emerged in the course of several stays in Paris. While walking the streets McQueen’s attention was drawn not to the historical façades or tourist attractions of the city, but to the gutter. Strange, string-tied bundles of rags, lying on the street between pavement and traffic lane, form barriers [barrage] to channel the waste water from vegetable markets and shops into the sewer, an ancient and simple means used by Parisian street sweepers. Captured in the cold light of day or under the harsh glare of flash-photography, Barrage continues the tradition of Parisian street photography, capturing the strange and uncanny in the everyday, and the gloomy, damp materiality of anonymous Parisian streets. The cropped and serial photography reveals how even the most unprepossessing things can be transformed into a visual event when seen through the attentive eyes of a viewer with a formalist turn of mind.
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Barrage
Steve McQueen
Barrage, 1998series of 56 photographs
series of 56 photographs
40 x 50 cm. each
15 3/4 x 19 3/4 in.
edition of 2 + 1AP

Further images

  • 01
  • 02
  • 03
  • 04
  • 05
  • 06
  • 07
  • 08
  • 09
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • 16
  • 17
  • 18
  • 19
  • 20
  • 21
  • 22
  • 23
  • 24
  • 25
  • 26

Being the earliest, as well as one of few photographic bodies of work by Steve McQueen, the series Barrage emerged in the course of several stays in Paris. While walking the streets McQueen’s attention was drawn not to the historical façades or tourist attractions of the city, but to the gutter. Strange, string-tied bundles of rags, lying on the street between pavement and traffic lane, form barriers [barrage] to channel the waste water from vegetable markets and shops into the sewer, an ancient and simple means used by Parisian street sweepers. Captured in the cold light of day or under the harsh glare of flash-photography, Barrage continues the tradition of Parisian street photography, capturing the strange and uncanny in the everyday, and the gloomy, damp materiality of anonymous Parisian streets. The cropped and serial photography reveals how even the most unprepossessing things can be transformed into a visual event when seen through the attentive eyes of a viewer with a formalist turn of mind.


Previous
|
Next
34 
of 42
© 2025 Thomas Dane Gallery
Privacy policy
Site by Artlogic
Twitter
Instagram

This website uses cookies
This site uses cookies to help make it more useful to you. Please contact us to find out more about our Cookie Policy.

Manage cookies
Accept

Cookie preferences

Check the boxes for the cookie categories you allow our site to use

Cookie options
Required for the website to function and cannot be disabled.
Improve your experience on the website by storing choices you make about how it should function.
Allow us to collect anonymous usage data in order to improve the experience on our website.
Allow us to identify our visitors so that we can offer personalised, targeted marketing.
Save preferences