Terry Adkins
Bibliography
Monographs
2020
Smith, Heather Alexis, ed., Terry Adkins: Resounding, St Louis, MO: Pulitzer Arts Foundation, 2020
2019
Terry Adkins. Infinity is Always Less Than One. Miami, FL: ICA Miami; Durham, NC: Duke University Press, 2019
2018
Terry Adkins: the smooth, the cut, and the assembled. New York, NY: Lévy Gorvy, 2018
2017
Berry, Ian ed. Terry Adkins. Recital. New York, NY: Prestel Publishing, 2017
2016
Terry Adkins: Soldier Shepherd Prophet Martyr: Videos from 1998-2013. Normal, IL: Galleries of Illinois State University, 2016
2002
Terry Adkins. Deeper Still. Gainesville, FL: Samuel P. Harn Museum of Art, University of Florida, 2002
2001
Terry Adkins: Altar Encore. Eatonville, FL : Zora Neale Hurston National Museum of Fine Arts, 2001
1999
Baker, Alex. Relay Hymn. Terry Adkins. Philadelphia, PA: Institute of Contemporary Art, University of
Pennsylvania, 1999.
1998
Holst, Lise. Terry Adkins: Later Coltrane. Clinton NY: Emerson Gallery, Hamilton College, 1998
1993
Clark, Trinkett. Terry Adkins: Parameters No. 12. Norfolk VA: Chrysler Museum of Art, 1993
1991
High, Steven S. Terry Adkins: an exhibition. Richmond VA: Anderson Gallery, 1991
1986
Terry Adkins: Arbeit / Work 1986 – 1987. Zürich: Galerie Emmerich-Baumann, 1986
Exhibition Catalogues & Selected Publications
2021
Ahmed, Sara., ‘The Sonic Undercommons: Sound Art in Radical Black Arts Traditions’, appears in The Oxford Handbooks of Sound Art, Oxford: Oxford University Press, 2021
2017
Let me be an object that screams. Chicago IL: Gallery 400, University of Chicago, Illinois, 2017
2014
Celant, Germano. Art or sound. Milan: Fondazione Prada, 2014
2009
McGee, Julie L. and Charles D. Carson. Sound: Print: Record: African American Legacies. Newark, Delaware: University Museums, University of Delaware, 2009
2008
Marclay, Christian. Ensemble. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 2008
1968: Then & Now. New York: Nathan Cummings Foundation and Tisch School if the Arts, New York University, 2008
2006
Bloodworth, Sandra and William S. Ayres. Along the Way: MTA Arts for Transit. New York: Monacelli Press, 2006
2005
Double consciousness: Black conceptual art since 1970. Houston TX: Contemporary Arts Museum, 2005.
2004
Kotik, Charlotta and Tumelo Mosaka. Open House: Working in Brooklyn. New York: Brooklyn Museum of Art, 2004
2002
Carlozzi, Annette. Time/Frame. Austin TX: Blanton Museum of Art, 2002
2001
Mackiln, A.D. A Biographical History of African-American Artists, A-Z. Lewiston NY: Edwin Mellen Press, 2001
2000
Bernard, Catherine and Stanley Crouch. Jazz and Visual Improvisations. Katonach NY: Katonah Museum of Art, 2000
1999
Adkins, Terry and Rachel Seligman. Powre Above Powers – Passing Freedom: A work in Nine Dominions. Schenectady NY: Mandeville Gallery, Union College, 1999
Baker Alex. Terry Adkins: Relay Hymn. Philadelphia: Institute of Contemporary Art, University of Pennsylvania, 1999
1998
Narratives of African American Art and Identity: The David Driskell Collection. San Francisco CA: Pommegranate Communications, 1998
1997
Folley-Cooper, Marquette, Deborah Macanic, Janice McNeil and Elisabeth Goldson Nicolson. Seeing Jazz: Artists and Writers on Jazz. San Francisco: Chronicle books, 1997
1996
Britton, Crystal. African-American Art: The Long Sturuggle. New York: Smithmark Publishers, 1996
1995
Mantje, Aldert and Anthony Murell. Other Bloods. Amsterdam: Arti et Amicitatiae, 1995
1993
Albee, Edward. Edward Albee’s Other Eye: Sculptural Objects from the Edward Albee and Edward F. Albee Foundation Collections. Brookville NY: Hillwood Art Museum, 1993
Jones, Kellie. In the Ring. Staten Island NY: Newhouse Center for Contemporary Art, Snug Harbour Cultural Center, 1993
1992
The Endowed Chair. New York: Frankiln Parrasch Gallery, 1992
Brier, Bob. Egyptomania. Brookville NY: Hillwood Art Museum, 1992
1991
King, Elain A. New Generations: New York. Pittsburgh: Carnegie Mellon Art Gallery and Carnegie Mellon University Press, 1991
Cadences: Icon and Abstraction in Context. New York: New Museum of Contemporary Art, 1991
1989
Powell, Richard J., ed. The Blues Aesthetic: Black culture and Modernism. Washington D.C.: Washington Project for the Arts, 1989
Pillar to Post: Wall Works by Contemporary Artists. New York: Kenkeleba Gallery, 1989
1984
Mitchell, Evelyn. African-American Art in Atlanta: Public and Corporate Collections. Atlanta: High museum of Art, 1984
Impressions II: Experiments in Paper. Richmond VA: Institute of Contemporary Art of the Virginia Museum, 1984
1983
Cannon, Steve. Jus’ Jass: Correlations of Painting and Afro-American Classical Music. New York: Kenekeleba Gallery, 1983
1980
Poulsen, Ruth C., ed. Dimensions and Directions: Black Artists of the South. Jackson MS: Mississippi Museum of Art, 1980
Selected Writing & Text Contributions
2004
Adkins, Terry. “Notes on the Precious Few A.D.,” in: Journal of Black Studies, vol 35, no.2, 2004, pp. 224-230
1999
Adkins, Terry. “Mapping Grace,” in: Yang Ming-Dye. Kingston, New York: Watermark Cargo Gallery, 1999
1998
Adkins, Terry. Later Coltrane. Clinton, NY: Emerson Gallery, Hamilton College, 1998
Adkins, Terry. “Eagle Eyed: The Ethereal Vision of Joseph Egan,” in: Joseph Egan. Munich: Kunstraum Munchen, 1988
1991
Adkins, Terry. “Morning Calm,” in: In Nam Chon. Chico: California State University at Chico, 1991
Discography
1993
Various Artists, Selected Soundspace No. 2: Telefonia-A Transatlantic Performance. For 4 Ears: Switzerland, 1993
1992
Various Artists, Bazillus: The Regulator featuring Eddie Harris. The ACT Company: UK and Europe, 1992
1991
Various Artists, Extemporaneous-PolyMetra Binetic. Bazillus Records: Switzerland, 1991