Amie Siegel

 

Bibliography

 

Monographs

 

2019

Beckstette, Sven ed., Amie Siegel: Ricochet, Stuttgart: Kunstmuseum Stuttgart/Berlin: Prestel Publishing, 2019

 

2016

Buhrs, Michael and Yara Sonesca Mas eds., Amie Siegel: Double Negative, Milan: Mousse Publications, 2016

 

2006

Himmelsbach, Sabine and Barbara Filser eds., Amie Siegel: Berlin Remake, Frankfurt: Edith Rüss Haus für Medienkunst, Oldenburg / Revolver Archiv für Aktuelle Kunst, 2006

 

Artist Books 

 

2015

Amie Siegel: Love Letters, Leipzig: Spector Books/Berlin: Haus der Kulturen der Welt, 2015

 

2014

Amie Siegel: CATALOGUE, New York: Inventory Press, 2014

 

 

Selected Publications 

 

2019

Kamps, Toby. Amie Siegel: Medium Cool, Exhibition essay, Blaffer Art Museum at the University of Houston, 2019 [online]

Castets, Simon and Karen Marta, eds., Fade In, New York: Swiss Institute, New York Balkan Projects/Karma 

 

2018

Kim, Clara, Gridthiya Gaweewong, Christine Y. Kim, Rita Gonzalez, Yeon Shim Chung, Yeewan Koon, Man Seok Kim, Sung-woo Kim, Chong-Ok Paek, Sung-woo Kim, Chong-Ok Paek, B. G. Muhn and David Teh eds. 12th Gwangju Biennial, Gwangju: Gwangju Biennale Foundation, 2018

 

2017

Hoare, Natasha and Adam Kleinman eds., In the Belly of the Whale, Rotterdam: Witte de With Center for Contemporary Art, 2017

Fernández López, Olga ed., Mil Bestias Que Rugen / A Thousand Roaring Beasts: Display Devices for a Critical Modernity, Seville: Centro Andaluz de Arte Contemporanéo, 2017

Franch, Eva and Ana Miljacki, Carlos Minguez Carrasco, Jacob Reidel, Ashley Schafer eds., OfficeUS Manual, Baden: Lars Müller Publishers/The Storefront for Art and Architecture, 2017

 

2016

McDonough, Tom. “Introduction to Quarry”, in: Vdrome, 6 March 2016 [online]

 

2015

Fezer, Jesko ed., Wohnungsfrage Exhibition Guide, Leipzig: Spector Books / Berlin: Haus der Kulturen der Welt, 2015

Arnold, Grant ed., Residue: The Persistance of the Real, Vancouver: Vancouver Art Gallery/New York: Black Dog Publishing, 2015

Stevens, Rachel. “Amie Siegel Provenance,” in: Millenium Film Journal, no. 61, Spring 2015 

Rattanamol Singh Johal, “Amie Siegel: Provenance,” Art Papers, January

 

 

2014

Manchanda, Catharina ed., Pop Departures, New Haven CT: Seattle Art Museum/Yale University Press, 2014

Herold, Thomas. “Amie Siegel’s Recursive DDR/DDR: In and Beyond the Wake of Friedrich Kittler,” in: The Germanic Review, vol. 98, issue 4, 2014

 

2013

Hanru, Hou and Pascal Beausse, Elizabeth Thomas eds., If You Were to Live Here: The 5th Auckland Triennial, Auckland: Auckland Art Gallery/Toi o Tamaki, 2013

Rittenbach, Kari. “Valued Objects, High Returns,” in: Texte zur Kunst, Issue no. 92, December 2013

McDonald, Scott. “Cine-Surveillance: 3 Avant Docs: Amie Siegel, Sharon Lockhart and Jane Gillooly,” in: Film Quarterly, Vol. 66, No. 3, 2013

MacDonald, Scott. “Amie Siegel,” in: American Ethnographic Film and Personal Documentary: The Cambridge Turn, Berkeley, CA: University of California Press, 2013

 

2012

Mennel, Barbara. "The Architecture of Heimat in the Mise-en-Scene of Memory: Amie Siegel's Berlin Remake,” in: Heimat: At the Intersection of Space and Memory, Berlin/Boston: DeGruyter, Berlin, 2012

 

2011

Tamir, Chen and Marcus Thor Andresson. Emotional Blackmail, Alberta: ABC Art Books Canada, 2011

Aaron Kunin, “Space and Place in Two Video Installations by Amie Siegel,” The Highlights, Feb. 4

Kanner, Lila and Franklin Sirmans eds., 5 Cities, 41 Artists, Artadia: The Fund for Art and Dialogue, New York: Artadia, 2011

Lidaki, Evangelia Fear, London: Lo and Behold Publishing, 2011

 

2010

Collins, Phil and Sinisa Mitrovic eds., Auto-kino!, Berlin: Temporäre Kunsthalle Berlin, 2010

Tamir, Chen and Maayan Sheleff eds.,Videozone 5 , Tel Aviv: Center for Contemporary Art, 2010

Kunin, Aaron. “Decoration, Modernism, Cruelty,” in: Modernism/modernity, Vol. 17, No.1, 2010

 

2009

Wallinger, Mark. Mark Wallinger: The Russian Linesman, London: Hayward Publishing, 2009

Hansen, James. “Migrating Forms 2009: ‘DDR/DDR’ Amie Siegel,” in: Out 1 Film Journal, 20 April 2009 [online]

 

2008

Laboulbenne, Xavier and Aljoscha Weskott eds., Fracture: Conversations on Memory in the Berlin Republic, Berlin: B_books Verlag, 2008

Whitney Biennial 2008, New York: Whitney Museum of American Art, New York / Yale University Press, 2008

Pantenburg, Volker. “Post-Cinema? Movies, Museums, Mutations,” in: SITE: Journal for Contemporary Art, 

Architecture, Cinema and Philosophy, No.24, 2008

Schwierin, Marcel and Daniel Herrmann, Werkleitz Biennial: Amerika, Halle: Werkleitz Biennial, 2008

 

2006

Raczynska, Joanna. Now Again the Past: Rewind, Replay, Resound, Turloc, CA: Carnegie Arts Center, 2006

 

2005

J. Benton, Robert. “Empathy; Intimacy, and the Psychoanalytic Space: Empathy and Intimate Strangers,” in: Psychoanalytic Review, August 2005, Vol. 92, No. 4, 2005

 

2004

Kocache, Moukhtar and Erin Shirreff eds., Site Matters: The Lower Manhattan Cultural Council’s World Trade Center Artist Residency, New York: D.A.P. Distributed Art Publishers, 2004

 

2003

Sider, Larry ed., Soundscape: The School of Sound Lectures, 1998-2001, London: Wallflower Press, 2003

 

 

2002

Perlin,  Jenny. “What Should I Make Up? Michele Fleming, Sarah Jane Lapp & Amie Siegel,” in: Screening the

Past, Issue #13, 2002 

 

 

Artist Writing

 

2019

Siegel, Amie. “Underworld,” in: Podium Issue 2, Hong Kong: M+, 2019

 

2018

Siegel, Amie. Introduction to “Cryptoarchitecture,” in:The Svetlana Boym Reader, London: Bloombsury Press, 2018

 

2016     

Siegel, Amie.“Questionnaire: A Response,” in: October, no.155, Cambridge, MA: MIT Press, 2016 

 

2015     

Siegel, Amie.“Mirroring,” in: Speculation, Now, New York: Vera List Center for Art & Politics Durham, NC: Duke University Press

         

2014                                   

Siegel, Amie. “Circuit: Provenance,” in: Heros of the Art Auction/Helden der Kunstauktion, Berlin: Hatje Cantz

Siegel, Amie. “Factories and The Factory,” in: A Companion to Jean-Luc Godard, Hoboken NJ: Wiley-Blackwell, 2014

 

2013

Siegel, Amie. “Project Malaparte,” in: Remediate. An den Rändern von Film, Netz und Archiv / At the Borders of Film, Internet and Archives, Munich: Wilhelm Fink Verlag, 2013

 

2012

Siegel, Amie. “Ciné-Constellation,” in: Revolver, Heft 26, Frankfurt am Main: Verlag der Autoren, 2012

Siegel, Amie. “Object Relations,” in: Draw It With Your Eyes Closed, Brooklyn NY: Paper Monument, 2012

 

2011

Siegel, Amie. “Á Rebours / Against the Grain,” in: Film: Tacita Dean, London: Tate Publications, 2011

 

2010

Siegel, Amie. Zeigen. eine Audiotour durch Berlin von Karin Sander. Berlin: Walther König/ Temporäre Kunsthalle Berlin, 2010

 

2007     

Siegel, Amie. “Don’t Mention the Wall,” in: The Imagined Nation: Body & Gender in East German Studio Films, Berlin: DEFA Shriftenreihe, 2007

 

2004     

Siegel, Amie and Bettina Mathes “Marching Up, Crawling Through and Coming Out: Public Art in Germany,” in: Chain 11: Public Forms, Philadelphia: Temple University Press

 

2002     

Siegel, Amie. “Violations, Indiscretions and Narrative Expectation in Film Sound,” in:  Soundscape: The School of Sound Lectures 1998-2001, London: Wallflower Press

 

2001     

Siegel, Amie. “An Aural Equivalent” (from “Image Picture Frame” by Jon Jost, Patrick Keiller, Sam McMullen, John Maybury and Amie Siegel”) in: Vertigo, Vol. 2 No.1, London, Spring 2001