Kelley Walker







Uslip, Jeffrey, and Kelley Walker. Kelley Walker: Direct Drive. St. Louis: Contemporary Art Museum, 2016

Walker, Kelley. Kelley Walker: Black Star Press. St Louis: Contemporary Art Museum, 2016



Kelley Walker. New York: Paula Cooper Gallery, 2014.

Dziewior, Yilmaz ed. Wade Guyton, Guyton\Walker, Kelley Walker. Bregenz: Kunsthaus Bregenz, 2014



Guyton\Walker, Bologna: Museo d'Arte Moderna di Bologna, Milano, Italy, 2009; illus.



Kelley Walker, Grenoble: JRP Ringier, Le Magasin, 2007



Guyton, Wade and Kelley Walker. The Failever of Judgement, Zurich: JRP Ringier, 2005


Selected publications and exhibition catalogues



Unpacking: the Marciano collection, Los Angeles: The Maurice and Paul Marciano Art Foundation/Munich: DelMonico Books, an imprint of Prestel Publishing, 2017



Fine Young Cannibals, New York: Petzel Gallery, 2016



The Twenty First Century Art Book, New York: Phaidon Press Inc., 2014, p. 275.



Rosenthal, Mark, et al. Regarding Warhol: Sixty Artists, Fifty Years, New York: Metropolitan Museum of Art, 2012, pp. 113, 116-117, 247, 292

Cherix, Christophe ed. Print/Out. New York: The Museum of Modern Art, New York, 2012; illus.

Diacono, Mario. Archetypes and Historicity. Painting and Other Radical Forms 1995-2007, Turin: Silvana Editoriale in collaboration with Collezione Maramotti, 2012; pp. 297-301, 94-95; illus.

The Painting Factory: Abstraction After Warhol, Los Angeles: Los Angeles Museum of Contemporary Art, 2012, pp. 150-163; illus.

Decade: Contemporary Collecting 2002 ­­- 2012, Buffalo, NY: Albright-Knox Art Gallery, 2012, pp. 220-221; illus.

Chaillou, Timothée. Seuls quelques fragments de nous toucheront quelques fragments d'autrui (Only Parts of us Will Ever Touch Parts of Others). Paris/Salzburg: Galerie Thaddaeus Ropac, 2012, pp. 145

Annual Magazine, Verona: A.P.C Trading. Ltd., 2012, pp. 1, 125; illus.

Kramer, Marcus. Photographic Objects, Berlin: Kehrer Verlag Heidelberg Berlin, 2012



That's The Way We Do It: Techniques and Aesthetics of Appropriation, Bregenz: Kunsthaus Bregenz, 2011, pp. 260-275; illus.

Born in Dystopia, Paris: Rosenblum Collection & Friends, 2011, pp. 50-55; illus.

Defining Contemporary Art, London: Phaidon, 2011, pp. 390-391; illus.

Vitamin P2: New Perspectives in Painting, London: Phaidon, 2011, pp. 304-305; illus.

The 2011 Bridgehampton Biennial, New York: Martos Gallery, 2011

Ligon, Glenn. Yourself in the World: Selected Writings and Interviews, New Haven: Yale University Press, 2011, pp. 51-58

After Images. Brussels: Musée Juif de Belgique, 2011, pp. 21, 138-143

The Luminous Interval. Bilbao: Guggenheim Museum Bilbao, 2011, pp. 90-95; illus.



Borchardt-HumeAchim ed. Keeping it Real: From the readymade to the everyday. London: Whitechapel Gallery, 2010, pp. 94-101, 112-113; illus.

Hoptman, Laura, Yilmaz Dziewior, and Uta Grosenick eds. The Art of Tomorrow. Berlin: DISTANZ Verlag, 2010, pp. 302-305; illus.

Krajewski, Sara ed. Image Transfer: Pictures in a Remix Culture. Seattle: Henry Art Gallery, 2010, pp. 92-97; illus.

Kelsey, John. Rich Texts: Selected Writings for Art. New York: Sternberg Press, 2010, pp. 65-74

At Home / Not At Home: Works from the Collection of Martin and Rebecca Eisenberg CSS. Annadale-on-Hudson: Bard Hessel Museum, , 2010, pp. 34, 58-59; illus

Price, Seth and Kelley Walker. Freelance Stenographer, 2010

Permanent Mimesis.Turin: Galleria Civica d'Arte Moderna e Contemporanea, 2010, pp. 27, 38-39, 48; illus.

FIVE, Moscow: Baibakov art projects, 2010, pp. 30-35, 39-41, 46-53, 66-67, 69-70, 96-102, 120-121; illus.



Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting. New York: Phadion, 2009, pp. 292, 332-335, 348; illus.

Funcke, Bettina. Pop or Populus: Art between High and Low. New York: Sternberg Press, 2009; illus.

Beg Borrow and Steal, Miami: Rubell Family Collection, 2009, pp. 80, 240-249; illus.

Renton, Andrew ed. Cranford Collection 02, London: Cranford Collection, 2009, pp. 92, 96; illus.

Where Do We Go From Here? Selections from La Colleción Jumex, Mexico City: Bass Museum of Art and Fondación/Coleccion Jumex, 2009, pp. 88-89; illus.

Rattemeyer, Christian ed. Compass in Hand, New York: The Museum of Modern Art, 2009, pp. 183-185; illus.

Rattemeyer, Christian. The Judith Rothschild Foundation Contemporary Drawings Collection: Catalogue Raisonné, New York: The Museum of Modern Art, 2009, pp. 137, 275; illus.

Transitions: painting at the (other) end of art, Reggio Emilia: Collezione Maramotti, 2009, pp. 20-21; illus.

Sueno y Materia / Dream and Matter, Gijon: LABoral, 2009, pp. 222-223, illus.

The Sickness of the Hunting Part I, 2008, pp. 122-123; illus.

Laubard, Charlotte and Louise Nègre eds. Quand la première ivresse des succès bruyants…, Sauterners, France: Château Guiraud, 2009

Higgs, Matthew. Fifteen People Present Their Favorite Book [After Kosuth] East Hampton: Glenn Horowitz Bookseller, 2009



Not Quite How I Remember It, Toronto: The Power Plant, 2008, pp. 52-53; illus.

Blasted Allegories: Works from the Ringier Collection, Zurich: JRP Ringier, 2008, p. 149; illus.

Glasner, Barbara, Petra Schmidt, Ursula Schöndeling eds. Patterns 2: Design, Art, and Architecture. Basel: Berkhäuser Verlag AG, 2008, pp. 304-307, 332; illus.

Stations: 100 Meisterwerke Zeitgenossischer Kunst. Cologne: Dumon Buchverlag, 2008, pp. 188-189, illus.

Always There. Berlin: Galerie Max Hetzler, 2008, pp. 34-35; illus.

Ruf, Beatrix ed. Guyton Price Smith Walker. Zurich/New York: 38 St. Publishers/Kunsthalle Zurich, 2008, p. 135-165; illus.



Nickas, Bob. Theft Is Vision. Zurich: JRP Ringier, 2007

Cotter, Suzanne ed. Continuous Project #12, Oxford: Continuous Project, Modern Art Oxford, 2007; illus.

Just Kick It Till It Breaks. New York: The Kitchen, 2007, p. 49.

Collage: The Unmonumental Picture, New York: New Museum of Contemporary Art, 2007, pp. 120-128; illus.

Um Atlas de Acontecimentos / An Atlas of Events, Lisbon: Fundacao Calouste Gulbenkian, 2007, pp. 52-53; illus.

DavidsonSusan ed. Art in America: 300 Years of Innovation. New York: Solomon R. Guggenheim Foundation, 2007, pp. 303-307; illus.

Moisdon, Stéphanie and Hans Ulrich Obrist. The History Of A Decade That Has Not Yet Been Named. Zurich: JRP Ringier, 2007, p. 241; illus.

Painting as Fact-Fact as Fiction. Zurich: de Pury & Luxembourg, 2007

Ice Cream: Contemporary Art in Culture. New York: Phaidon, 2007, pp. 132-135; illus.

Masterpieces. Bordeaux: CAPC musée d'art contemporain de Bordeaux, pp. 224-225; illus.

Basta, Sarina and Paul-Aymar Mourgue d'Algue eds. Print-Out #1., New York: Sculpture Center and BlankBox Projects, 2007



USA Today, London: Royal Academy of Arts, 2006, pp. 378-393; illus.

Pendelton, Adam and Bartholomew Ryan eds. LAB MAG 01. New York: LAB BOOKS, pp. 298-301; illus.

Imagination Becomes Reality: Part IV, Borrowed Images. Munich: Sammlung Goetz, Munich, Germany, pp. 86-103; illus.

Are You Experienced, Fuori Uso'06 Altered States, Publish srl, Ex Mercato Ortofrutticolo, 2006, pp. 102-105; illus.

Infinite Painting. Codropio: Villa Manin Centro d'Arte Contemporanea, 2006, pp. 178-179; illus.

Whitney Biennial 2006: Day for Night, New York: Whitney Museum of American Art, Harry Abrams, Inc., 2006, pp. 356-357; illus.

Keegan, Matt. Etc. Text. New York: Andrew Kreps Gallery, 2006, pp. 28-47



Make It Now: New Sculpture in New York, New York: Sculpture Center, 2005, pp.17, 46-47; illus.

Bridge Freezes Before Road. New York: Gladstone Gallery, New York, 2005

Biesenbach, Klaus ed. Greater New York 2005, Long Island: PS 1 Contemporary Art Center, 2005

Sharjah Biennial 7: Belonging, Sharjah, United Arab Emirates: Sharjah Foundation, 2005

Uncertain States of America: American Art in the 3rd Millennium, Oslo: Astrup Fearnley Museum of Modern Art, 2005, pp. 52-53; illus.



La lettre volée / The Purloined Letter, Dole: FRAC Franche-Comté/Musée de Dole, Les presses du réel, 2004, p. 68; illus.



Nickas, Bob. After the Observatory. New York: Paula Cooper Gallery, 2003



Nickas, Bob. W, Dole: Musée des Beaux-Arts, 2001, p. 10; illus.