Amy Sillman

 

Bibliography  

 

Monographs

 

2019

Smith, Valerie. Amy Sillman. London: Lund Humphries, 2019

 

2017

Amy Sillman: the ALL-OVER. Milan: Mousse Publishing; New York: Dancing Foxes Press; Frankfurt: Portikus 

Gray Matters. Columbus: Wexner Center for the Arts, 2017

 

2013 

Molesworth, Helen, Thomas Eggerer, Ewa Lajer-Burcharth, and Daniel Marcus. Amy Sillman: One Lump or Two. Munich: Prestel, 2013

 

2008

Sillman, Amy. Third Person Singular. Saratoga Springs, New York: The Francis Young Tang Teaching Museum at Skidmore College, 2008

 

2007

Amy Sillman: Suitors & Strangers. Houston: Blaffer Gallery, the Art Museum of the University of Houston, Texas, 2007

 

2006

Koestenbaum, Wayne. Amy Sillman: Works on Paper. New York: Gregory R. Miller & Co., 2006

 

 

Exhibition Catalogues & Selected Publications

 

2023

Garrels, Gary, ed., To Bend the Ear of the Outer World, London: Gagosian, 2023

Sillman, Amy. Amy Sillman: Temporary Object, London: Thomas Dane Gallery, 2023

Eitel, Lutz, eds. Albert Oehlen, Adam Pendleton, Pope. L, Amy Sillman. Berlin: Galerie Max Hetzler; Holzwarth Publications, 2023

 

2022

Making Strange: The Chara Schreyer Collection. New York: DelMonico Books, D.A.P., 2022

The Milk of Dreams/Il Latte Dei Sogni: Bienale Arte 2022. Venice: La Biennale di Venezia, 2022

 

2020

Cooper, Harry, Mark Godfrey, Alison de Lima Greene, and Kate Nesin. Philip Guston Now. New York: D.A.P./National Gallery of Art, 2020

 

2016 

Molony, Ciara and Jonathan Weston, eds. Kaleidoscope: Modern Art Oxford’s 50th Anniversary. Oxford: Modern Art Oxford, 2016.

Albrecht, Donald. Gay Gotham: Art and Underground Culture in New York. New York: Skira/Rizzoli, 2016

Salle, David. How to See: Looking, Talking, and Thinking about Art. New York: W. W. Norton & Co., 2016

 

2015 

Tillman, Lynne. Weird Fucks. New Herring Press, 2015

The Heroine Paint: After Frankenthaler. New York: Gagosian/Rizzoli, 2015

 

2014 

The Forever Now: Contemporary Painting In An Atemporal World. New York: Museum of Modern Art, 2014

 

2012 

McCarthy, Dan. It's Always Summer on the Inside. New York: Anton Kern Gallery, 2012.

Moss, Avigail, Kerstin Stakemeier, Marina Vishmidt, and Carol Armstrong. Painting: The Implicit Horizon. Maastricht: Jan Van Eyck Academie, 2012.

Simpson, Bennett. Blues for Smoke. Los Angeles: Museum of Contemporary Art, Los Angeles, 2012.

 

2011

Schwabsky, Barry, ed. Vitamin P2: New Perspectives in Painting. Berlin: Phaidon, 2011

Bancroft, Sarah C. "A View of Ocean Park." Richard Diebencorn: The Ocean Park Series. Newport Beach: Orange County Museum of Art, 2011

Clapper, Nikki Bruno and Lucy Flint, eds. Creating the New Century: Contemporary Art from the Dicke Collection. Dayton: Dayton Art Institute, 2011

Farthing, Stephen, ed. 1001 Paintings You Must See before You Die: Revised and Updated. New York: Universe, 2011

Warren, Lynne, Jim Nutt, Jennifer R. Gross, and Alexi Worth. Jim Nutt: Coming into Character. Chicago, IL: Museum of Contemporary Art Chicago in Association with Yale UP, 2011

Weatherspoon Art Museum: 70 Years of Collecting. Greensboro: Weatherspoon Art Museum, The University of North Carolina at Greensboro, 2011

 

2009

Garrels, Gary. Oranges and Sardines: Conversations On Abstract Painting. Los Angeles: Hammer Museum, 2009

Abstract America (Triumph of Painting 2). London: Jonathan Cape Ltd, 2009. 

Nickas, Bob. Painting Abstraction: New Elements in Abstract Painting. London, New York: Phaidon, 2009

 

2008

Juncosa, Enrique. Order. Desire. Light.: An Exhibition of Contemporary Drawings. Dublin: IMMA Dublin, 2008

Cameron, Dan, Barbara Bloemink, Eric Lolis Elie, and Claire Tancons. Prospect.1 New Orleans. New York: U.S. Biennial Inc. 2008

 

2007 

Oppenheimer Collection. Overland Park, Kansas: Nerman Museum of Art, Johnson County Community College, 2007

In Context, Collage + Abstraction. New York: Pavel Zoubok Gallery, 2007

Geha, Katie and Travis Nichols. Poets on Painters. Wichita, Kansas: Wichita State University, Edwin A. Ulrich Museum of Art, 2007

Sillman, Amy and Gregg Bordowitz. Between Artists. Brooklyn: A.R.T. Press, 2007

 

2006

Ashford, Doug, and Anne Pasternak. Who Cares. New York: Creativetime, 2006

Richer, Francesca, and Matthew Rosenzweig, eds. No. 1: First Works by 362 Artists. New York: d.a.p., 2006

Blum, Kelly and Annette DiMeo Carlozzi, eds. Blanton Museum of Art: American Art Since 1900. Austin: Blanton Museum of Art at The University of Texas at Austin, 2006

 

2005

Molesworth, Helen. Landscape Confection. Columbus, Ohio: Wexner Center for the Arts, Ohio State University, 2005

 

2004                                                                                                        

Amy, Michaël. True Stories. Overland Park, Kansas: Johnson County Community College, Gallery of Art, 2004

Whitney Biennial. New York: The Whitney Museum of American Art, 2004

Block, Diana R. Horizon Line. Denton, Texas: North Texas Art Gallery, 2004

Open House: Working in Brooklyn. Brooklyn, New York: Brooklyn Museum, 2004

Modern Art. Upper Saddle River: Pearson/Prentice Hall, 2004

Affect. Collegeville, Pennsylvania: Berman Museum of Art, 2004

 

2003

Bloemink, Barbara and Vicky A. Clark. Comic Release: Negotiating Identity for a New Generation. New York: DAP, 2003

 

2002

Tatar, Maria, Bill Conger, and Jan Susina. Pixerina/Witcherina. Normal, Illinois: University Galleries of Illinois State University, 2002

 

2001

Brooklyn!. Lake Worth: Palm Beach Institute of Contemporary Art, 2001. The Approximative. Paris: Galerie Ghislaine Hussenot, 2001

 

1999

Balken, Deborah Bricker. Drawing in the Present Tense. New York: Parsons School of Design, 1999

Mellyn, Sean and Jonathan Van Dyke. I’m Not Here. Harrisburg, Pennsylvania: Susquehanna Art Museum, 1999

1999 Awards in Painting, Sculpture, Printmaking, Photography, Video, and Craft Media. New York: Louis Comfort Tiffany Foundation, 1999

Young, Geoffrey. Drawing Into Paint. Alfred, New York: Alfred University, 1999

 

1998

New York: Casey Kaplan Gallery, 1998

Klein, Richard. Pop Surrealism. Aldrich, Connecticut: The Aldrich Museum, 1998 

Russ, Sabine and Gregory Volk. Personal Touch. New York: Art in General, 1998

 

1997 

Distraction. Chicago: TBA Exhibition Space, 1997

 

1995 

King, Elaine E. The Figure as Fiction. Cincinnati, Ohio: The Cincinnati Center for Contemporary Art, 1995

 

1991

King, Elaine E. New Generations. New York: Carnegie Mellon Art Gallery, 1991

 

 

Selected Writing & Text Contributions

 

2022

Sillman, Amy. Faux Pas: Selected Writings and Drawings, Paris: After 8 Books, 2022

 

2021

Sillman, Amy. A Summer, New York: Gladstone Gallery, 2021

 

2020

Sillman, Amy. ‘9 INNINGS: NOTES OF A COLOR COMMENTATOR’, Karma Gallery online, April 2020

 

2018

Sillman, Amy. “Laura Owens: Whitney Museum of American Art, New York,” Artforum, April 2018

 

2017

Sillman, Amy. “Unpresidented Times: Amy Sillman,” Artforum.com/slant, January 5, 2017

 

2016 

Sillman, Amy. “Drug, Poison, Remedy, Talisman, Cosmetic, Intoxicant,” Bulletins of The Serving Library, Issue #11, June 17, 2016

 

2008 

Sillman, Amy. "Ellen Berkenblit," Ellen Berkenblit. New York: Anton Kern Gallery, 2008.

Abstract America. London: Saatchi Gallery, 2008

 

2007

Sillman, Amy and Gregg Bordowitz. ART Press, 2007. Sillman, Amy. "Passages: Elizabeth Murray," Artforum, 2007

Sillman, Amy. "Ellen Berkenblit," BOMB, 2007

 

2006

Sillman, Amy. "A Phrase Guide to the Spring Art Season," Art in America, 2006. Sillman, Amy. “Interview with Cristina Martinez,” Index Magazine, 2006

 

2004 

Sillman, Amy. "How To Look At Nicole Eisenman," Nicole Eisenman. New York: Leo Koenig, 2004

Sillman, Amy. Visiting Artist. New York: Regency Arts Press, 2004

Sillman, Amy. “Interview with Dana Schutz,” North Drive Press Magazine, 2004

 

2003 

Sillman, Amy. “Interview with Cecilia Dougherty,” Swingset Magazine, 2003. Sillman, Amy. “Interview with Peggy Ahwesh,” Index Magazine, 2003