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25.10.22 - Steve McQueen events, October 2022
The Missed Seminar
After Eslanda Robeson. In dialogue with Steve McQueen’s 'End Credits'
The exhibition The Missed Seminar reactivates archival material on the life, thought, writings, and relationships of Black feminist, anthropologist, and African-American photographer Eslanda Robeson.
In conjunction with the exhibition, McQueen premieres the full version of End Credits (2012-2022). A haunting monument to the threat posed by US anti-communism at the time, the audiovisual installation brings together thousands of digitised files collected by the FBI during of the Cold War and decades of spying on Eslanda Robeson and her husband, actor, singer and activist Paul Robeson. These entanglements outline the vision of what a decolonisation of socialism could have been.
Private view: 27 October 6pm
Exhibition dates: 28 October - 30 December 2022
Haus der Kulturen der Welt
John-Foster-Dulles-Allee 10
10557 BerlinSteve McQueen Symposium
A two-day symposium celebrating and investigating the range of McQueen’s practice, acknowledging his versatility, and the importance of his collaborative methods.
28 October, 3.30 - 5pm EST
29 October, 9.15am - 5pm EST
Yale Center for British Art
1080 Chapel Street
New Haven, ConnecticutScreening of Lovers Rock (2020)
followed by a Q&A and DJ set with Dennis Bovell
Organised by Dr Dominic Paterson, Senior Lecturer in History of Art / Curator of Contemporary Art at The Hunterian, University of Glasgow
28 October, 6 - 8pm
Kelvin Hall Cinema
1445 Argyle Street
Glasgow G3 8AWDJ Set by Dennis Bovell and JD Switch
28 October, 10pm - 2am
Saramago Cafe-Bar
Centre for Contemporary Arts
350 Sauchiehall Street
Glasgow G2 3JD -
19.10.22 - Jake Grewal, 'Now I Know You I Am Older'
Jake Grewal, Now I Know You I Am Older
Private view: 24 November 6-8pm
Exhibition dates: 25 November 2022 - 28 January 2023
Thomas Dane Gallery
11 Duke Street, St James's
London SW1
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13.10.22 - Rita Keegan, 'Homage to Frida Kahlo' acquired by Tate
'Homage to Frida Kahlo' (1987) by Rita Keegan has been acquired by Tate, through the Tate Frieze Fund 2022, supported by Endeavour.
The work is part of Thomas Dane Gallery's Frieze London 2022 presentation, which has been organised by Anthea Hamilton.
Thomas Dane Gallery
Frieze London 2022
Stand E5
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14.10.22 - Alexandre da Cunha's 'Faces' is now available
Alexandre da Cunha’s ‘Faces’. This portfolio of imaginary portraits by da Cunha is composed from household items: fruits, vegetables, appliances, spices, and kitchen and cleaning utensils, made spontaneously at home and originally shared via Instagram, currently available from our booth (E5) at Frieze London.
Alexandre da Cunha
Faces, 2020
portfolio of 10 c-prints
each 23.8 x 17.8cm (9 3/8 x 7 1/8 in.)
edition of 40 plus 10APs
Enquiries: tom@thomasdanegallery.com
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12.10.22 - Now open: Thomas Dane Gallery at Frieze London 2022
Frieze London, Stand E5
For Frieze London 2022 Thomas Dane Gallery will present a project organised entirely by artist Anthea Hamilton. The booth will be an evolution of her signature approach to exhibition making, seen most recently in her show at Museum of Contemporary Art Antwerp, which brings together different disciplines such as fine art, design, and museology, blurring the lines and boundaries between walls, floor, furniture, and artworks, to create a complete environment for the booth.
List of artists:
Hurvin Anderson
Lynda Benglis
Abraham Cruzvillegas
Alexandre da Cunha
José Damasceno
Anya Gallaccio
Luigi Ghirri
Anthea Hamilton
Mumtaz Karimjee
Barbara Kasten
Rita Keegan
Phillip King
Ella Kruglyanskaya
Jean-Luc Moulène
Magdalene A. N. Odundo
Dana Schutz
Amy Sillman
Caragh Thuring
Nancy Willis
Anthea Hamilton will be in conversation as part of the Frieze Masters Talks programme at 3pm on Sunday 16 October at Studio Voltaire. -
6.10.22 - Thomas Dane Gallery at Frieze London 2022
Stand E05
For Frieze London 2022 Thomas Dane Gallery will present a project organised entirely by artist Anthea Hamilton. The booth will be an evolution of her signature approach to exhibition making, seen most recently in her show at Museum of Contemporary Art Antwerp, which brings together different disciplines such as fine art, design, and museology, blurring the lines and boundaries between walls, floor, furniture, and artworks, to create a complete environment for the booth.
Hamilton has selected works from across the gallery programme plus a special group of invited artists.
List of artists:
Hurvin AndersonLynda Benglis
Abraham Cruzvillegas
Alexandre da Cunha
José Damasceno
Anya Gallaccio
Luigi Ghirri
Anthea Hamilton
Mumtaz Karimjee
Barbara Kasten
Rita Keegan
Phillip King
Ella Kruglyanskaya
Jean-Luc Moulène
Magdalene A. N. Odundo
Dana Schutz
Amy Sillman
Caragh Thuring
Nancy Willis
Preview day: 12 OctoberPublic days: 13 - 16 October
Frieze Masters Talks
Anthea Hamilton will be in conversation as part of the Frieze Masters Talks programme at 3pm on Sunday 16 October at Studio Voltaire.
Studio Voltaire1A Nelsons Row
London SW4 7JR
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28.9.22 - Sunset, Sunrise, Sunset book launch
Art on the Underground and Kerber Verlag present a new publication on the work of Alexandre da Cunha at Battersea Power Station, to celebrate the first anniversary of the opening of the station and the installation of da Cunha’s ‘Sunset, Sunrise, Sunset’.The book will be launched at an event Thursday 6 October at 7pm at the Camden Art Centre bookshop and cafe.Da Cunha will be in conversation with Lisa Blackmore, senior lecturer in art history and interdisciplinary studies at the University of Essex, who has written for the publication. Rebecca Wilson will read from her essay ‘That Pink’, which also features in the book.7pm, Thursday 6 October 2022Camden Art CentreArkwright RdLondon NW3 6DG -
27.9.22 - Amie Siegel's 'The Architects' now on view at MoMA
Amie Siegel’s ‘The Architects’ (2014) is now on display at The Museum of Modern Art, New York through January 2, 2023.
Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. ‘The Architects’ examines the processes of architectural creation, using the artist’s signature parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them materially like an architect’s section plan. While gesturing to the New York cityscape visible through the windows of every workspace, ‘The Architects’ speaks to global systems of architectural production. Charting workplace typologies that range from small-scale studios to those of multinational corporate firms, the film unveils the vast, unseen network of labor being the design of the buildings that make up our urban fabric. In this way, Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitical of labor, and the circulation of capital.
MoMA
11 West 53 Street
Manhattan
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23.9.22 - Anya Gallaccio shortlisted for Freelands Award
An exhibition of the work of Anya Gallaccio at Turner Contemporary, Margate, has been shortlisted for the 2022 Freelands Award, which celebrates the achievements of women artists.
To be held in the winter of 2024, the exhibition will include celebrated sculptures and installations from Gallaccio’s 35-year career, many remade for the first time, alongside a significant new commission responding to the geology of Kent and environmental issues.
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21.9.22 - Amie Siegel in conversation
On Sunday 25 September Amie Siegel will give a talk at the National Gallery of Art, Washington, D.C., with curator James Meyer and film programmer Joanna Raczynska.
Siegel will present two of her artworks that deal with themes of provenance, remake and copy:
Berlin Remake (2005), a double projection of exterior scenes from East German State Film Studio movies alongside their “remade” version in the present… provokes a space where chronological time becomes simultaneous and where physical and cinematic landscapes coincide in an uncanny juxtaposition of past and present, making history (like the GDR) simultaneously present and absent; and Genealogies (2016), a video that traces the sculptural, gendered iconography of architecture and the female body, querying how these are visualized in cinema, and harnessed by advertising and music videos.
2pm EDT, Sunday 25 September 2022
National Gallery of Art
East Building Auditorium
4th St and Constitution Ave NW
Washington, D.C.
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