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20.9.22 - Caragh Thuring at Nottingham Contemporary
Opening this week: Hollow Earth: Art, Caves & The Subterranean Imaginary at Nottingham Contemporary.
The exhibition includes work by Caragh Thuring, and explores questions of prehistory and myth, ritual and the future, taking the collection of almost 1,000 hand-carved sandstone Middle Age caves that lie beneath the city of Nottingham as a starting point.
Exhibition dates: 24 September 2022 - 22 January 2023
Opening hours: Tuesday – Saturday 10am–6pm
Sunday 11am–5pmNottingham Contemporary
Weekday Cross
Nottingham
NG1 2GB
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14.9.22 - Anthea Hamilton on the cover of Elephant
Anthea Hamilton features on the cover of the autumn / winter edition of Elephant magazine, along with Zadie Xa. The artists embrace alternative forms of identity in a dynamic photoshoot with Izzy Leach. “I think that we’re both constructing ourselves,” Hamilton suggests, as they talk to each other about the politics of pop culture and the rich potential of self-mythology.
Cover shoot credits:
Photography: Izzy Leach
Art direction: Tom Joyes
Stylist: Matt King
Hair: Yuho Kamo
Makeup: MV Brown
Words: Louise Benson
Location: Studio Voltaire
Photography assistant: Lucy Shortman
Stylist assistant: Jessica Fynn
Chairs provided by Monument -
25.8.22 - Frieze Seoul
Thomas Dane Gallery at Frieze Seoul
Stand: A16
Showing works by Hurvin Anderson, Lynda Benglis, Walead Beshty, Glenn Ligon, Abraham Cruzvillegas, Alexandre da Cunha, Anya Gallaccio, Anthea Hamilton, Barbara Kasten, Ella Kruglyanskaya, Luisa Lambri, Glenn Ligon, Steve McQueen, Jean-Luc Moulène, Catherine Opie, Amie Siegel, Akram Zaatari.
Preview days: 2 - 3 September
Public days: 4 - 5 September
513 Yeongdong-daero
Gangnam-gu
Seoul
South Korea
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29.8.22 - Mark Godfrey, 'Mettere al mondo il mondo'
Private view: 1 October, 12-8pm
Exhibition dates: 4 October - 23 December 2022
Thomas Dane Gallery
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22.8.22 - Cecily Brown, 'Studio Pictures'
Private view: 10 October 5.30-8pm
Exhibition dates: 11 October - 17 December 2022
Thomas Dane Gallery
3 Duke Street, St James’s
London, SW1
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4.8.22 - Summer Closure
Thomas Dane Gallery will be closed from Monday 8 August, reopening on Tuesday 16 August at 11am.
Catherine Opie, ‘To What We Think We Remember’ is showing at 11 Duke Street St James’s until 27 August.
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15.8.22 - Cecily Brown: The Triumph of Death exhibition catalogue
Cecily Brown: The Triumph of Death
Published on the occasion of Cecily Brown’s current exhibition at Museo e Real Bosco di Capodimonte, Naples, this catalogue is an in-depth look at one of Cecily Brown’s most conceptually rich and expressive paintings. Featuring an introduction by Sylvain Bellenger, newly commissioned texts by Gavin Delahunty, Catherine Foulkrod and Sergio Risaliti, and a set of related, previously unseen drawings, the book provides unparalleled analysis of this extraordinary work.
Bilingual text in English and Italian throughout.
Sylvain Bellenger, Gavin Delahunty, Catherine Foulkrod and Sergio Risaliti, 2022
Publisher: Ridinghouse and Thomas Dane Gallery
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16.8.22 - NEON now on show
Works by Abraham Cruzvillegas, Michael Landy and Paul Pfeiffer are currently on show as part of ‘Dream On’.
The exhibition brings together 18 large-scale installations from the D.Daskalopoulos Collection by Greek and international artists, as well as a newly commissioned work, and 20 drawings.
Exhibition dates: 6 June - 27 November 2022
former Public Tobacco Factory
Hellenic Parliament Library and Printing House
218 Lenorman St.
104 43, Athens
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3.8.22 - Final days to view Jimmy Robert: Frammenti
Final days to view Jimmy Robert, Frammenti
Closing 5 August 2022
Thomas Dane Gallery
Via Francesco Crispi, 69, Napoli
Exhibition Opening Hours:
Tuesday - Friday 11am-1:30pm & 2:30pm - 7pm
Saturday 12 - 7pm
Monday by appointment
Nearest station Piazza Amedeo
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2.8.22 - Amie Siegel at ArkDes
Now on view: Amie Siegel, ‘The Silence’ (2022) at ArkDes, the Swedish Centre for Architecture and Design
Exhibition dates: 3 June – 30 October 2022
A double projection composed of opposed, alternating segments—each performed and filmed in two churches designed by Swedish architect Sigurd Lewerentz (1885 – 1975)—'The Silence’ considers the relationship between architecture, music, sound, and the immaterial.
‘The Silence’ behaves much like a vinyl album—each “side”, or video projection, performing a musical score the artist adapted from the unique brick-patterned walls of the churches and had played on the distinctive organs Lewerentz designed for each space. The uncanny similarity Siegel draws between the architect’s graphic brickwork and player piano scores—paper rolls dotted with patterns of small, perforated absences that generate ghostly “self-playing” music—here alludes to the larger existential questions of presence and absence, sound and silence, that often guide or contravene spiritual life, and thus imbue ‘The Church’ as a unique architectural space wherein such inquiries take shape.
ArkDes, the Swedish Centre for Architecture and Design
Exercisplan 4
Skeppsholmen
Stockholm
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