Anya Gallaccio

 

Bibliography  

 

Monographs 

 

2013

Anya Gallacio, London: Ridinghouse, 2013

 

2008

Cooke, Angus. Anya Gallaccio: that open space within, London: Camden Arts Centre, 2008

 

2005

Fusi, Lorenzo, Kaplan, Jordan and Gisbourne, Mark. Anya Gallaccio: The look of things, Sienna: Palazzo delle Papesse Centro Arte Contemporanea, 2005

Bakker, Joeri ed. Silver Seed, London: Ridinghouse, 2005

 

2003

Cooke, Angus and Watney, Simon. Anya Gallaccio. Birmingham: Ikon Gallery Publications, 2003

 

2002

Anya Gallaccio: beat. Essays by Mary Horlock, Heidi Reitmaier and Simon Schama, London: Tate Publishing, 2002

 

1999

Rugoff, Ralph and Nairne, Andrew. Chasing Rainbows: Anya Gallaccio, Glasgow: Tramway; Newcastle-Upon-Tyne: Locus+, 1999

Gallaccio, Anya. Releasing Senses. Tokyo: Tokyo Opera City Cultural Foundation, 1999.

 

1997

Dewan, Shaila. Anya Gallaccio 97.1, San Antonio: Artpace, 1997

 

1994

Anya Gallaccio: La Dolce Vita, Rome: Studio Stefania Miscetti, 1994

 

1993

Archer, Michael. Anya Gallaccio, Vienna: Galerie Krinzinger, 1993

 

1992

Sweet, Kim ed. Anya Gallaccio, London: Institute of Contemporary Art, 1992

 

 

Exhibition Catalogues & Selected Publications

 

2020

Rugoff, Ralph, Phoebe Cripps and Katie Guggenheim. Among the Trees, London: Hayward Gallery Publishing, 2020

Rudd, Natalie ed. Breaking the mould sculpture by women since 1945, London: Hayward Gallery Publishing, 2020

 

2019

Morill, Rebecca. Great Women Artists. London: Phaidon, 2019

 

2017

Coming out: sexuality, gender & identity. Liverpool: National Museums of Liverpool, 2017

 

2016

Procter, Christopher ed. Architecture and beyond. London: Artifice Books on Architecture, 2016

 

2015

Fischer, Peter and Brigitt Bürgi, About Trees, Bern: Zentrum Paul Klee, 2015

 

2014 

Tufnell, Ben. "The Secret Landscape." In Sixty­seventh Aleburgh Festival of Music and the Arts, 214­20. Suffolk: Aldeburgh Music, 2014

 

2012

Spaid, Sue. Green Acres: Artists Farming Fields, Greenhouses and Abandoned Lots, Cincinatti: Contemporary Arts Center, 2012

 

2011

Petry, Michael. Crafty: The Art of Not Making: The New Artist/Artisan Relationship, London: Thames & Hudson, 2011

ResMed: The ResMed Art Collection: Selected Works, 21 Years In The Making. San Diego: ResMed, 2011, p.32

Enel Contemporanea: Bik Van der Pol: Are You Really Sure that a Floor Can’t also be a Ceiling?. Rome: Enel, 2011

 

2010

Campbell Johnston, Rachel. On and On. Madrid: La Casa Encendida, 2010

Babin, Syvette, Jorg van den Berg, Christiane Boje, Renate Buschmann and Beate Ermacora, Eating the Universe: Vom Essen in der Kunst. Cologne: DuMont; Dusseldorf: Kunsthalle Düsseldorf; Innsbruck: Galerie im Taxispalais; and Stuttgart: Kunstmuseum Stuttgart, 2010

On the Edge of the World. London: British Council Publications, 2010, pp.201­07

 

2009

Manacorda, Francesco et al., Radical Nature: Art and Architecture for a Changing Planet 1969–2009. London: Barbican Art Gallery; Cologne: Buchhandlung Walther König Verlag, 2009

Hamilton, Richard and Vicente Todoli eds., Food for Thought, Thought for Food, The Creative Universe of El Bulli’s Adria: FerranA Reflection on the Worlds of Avant-Garde Cooking and Art. Barcelona: Actar, 2009

Higa, Karin. Living Flowers: Ikebana and Contemporary Art. Los Angeles: Japanese American National Museum, 2009

Kurzmeyer Roman, Boden und Wand/Wand Und Fenster/Zeit. Zurich: Helmhaus Zürich, 2009

Adophs, Volker. Ferne Nahe: Natur in der Kunst der Gegenwart (Remote Proximity: Nature in Contemporary Art). Cologne: Wienand, 2009, pp.109­10

Adophs, Volker. Our Own and the Other: The Construction of Nature in Art. Bonn: Kunst Museum Bonn, 2009, pp.109­110, 113­15

 

2008

UslipJeffrey. Nina in Position: Reasons for Secrets. New York: Artists Space, 2008

Manacorda, Francesco and Lydia Yee, Martian Museum of Terrestrial Art: Encyclopaedia of Terrestrial Life, Volume VIII,London: Barbican Art Gallery; New York: Merrell Publishers, 2008

 

2007                 

Stout, Katherine and Lizzie Carey-Thomas eds., The Turner Prize and British Art. London: Tate Publishing, 2007

Bickers, Patricia and Andrew Wilson eds., Talking Art: Interviews with Artists since 1976. London: Ridinghouse; Art Monthly, 2007

This will not happen without you. Sunderland: University of Sunderland Press, 2007

Fortnum, Rebecca ed., Contemporary British Women Artists in Their Own Words. London: I.B. Tauris, 2007

Anzai: Personal Photo Archives 1970­2006. Tokyo: The National Art Centre, 2007, p.134

Chanel L’Art Comme Univers.. Moscow: Musee D’etat des Beaux­Arts Pouchkine, 2007, p.150

 

2006 

Core. London: Illuminate Productions, 2006

Drobnick, Jim, ed. The Smell Culture Reader. Oxford; New York: Berg Publishers, 2006, p.6
Miles, Rosie and Gill Saunders, ed. Prints Now, Directions and Definitions. (London: V&A Publications, 2006) pp. 28­30, 81, 118 
Wilding, Alison, ed. Royal Academy Illustrated. (London: Royal Academy of Arts, 2006) p.167.

Uber die Sinne: Geschichten aus des Wahrnehmungswelt; (eine Ausstellung). Weitra, Austria: Publication P No. 1, Bibliothek der Provinz, 2006, p.568

 

2005

Rugoff, Ralph. Monuments for the USA. San Francisco: CCA Wattis Institute for Contemporary Arts, 2005

Sad Songs Texts by Richard Hell and Martin Patrick. Normal, Illinois: University Galleries: Illinois State University: Illinois Art Council, 2005, pp.30­21 

 

2004

Look & Feel: Art Landscape Nature. Amsterdam: De Verbeelding, 2004            

Kellein, Thomas and Angela Lampe eds., Das Grosse Fressen: Von Pop bis Heute. Bielefield: Kunsthalle Bielefeld, 2004

Art of the Garden. London: Tate Britain, 2004

Turning Points: 20th Century British Sculpture.Tehran: Tehran Museum of Contemporary Art; London: British Council, 2004

Forest. Wolverhampton: Wolverhampton Art Gallery, 2004

Foster, Alicia. Tate Women Artists. London: Tate publishing, 2004

Von Pop bis Heute, Das Grosse Fressen. Bielefeld, Germany: Kunsthalle Bielefeld, 2004, pp.66­67

 

2003

Tant, Rachel. Turner Prize 2003: Jake and Dinos Chapman, Willie Doherty, Anya Gallaccio, Grayson Perry. London: Tate Publishing, 2003

Celant, Germano and Craig, Patsy eds. Making Art Work – Mike Smith Studio. London: Trolley Books, 2003

Purloined Nature. Japan: Kawamura Memorial Museum of Art, 2004

Micro, Macro. Budapest: n.p., 2003

Le Symbolisme Idealiste en France. Tokyo: The Yomiuri Shimbun and The Japan Association of Art Museums, 2003, p.46

 

2002

Shone, Richard. Blast to Freeze: British Art in the 20th Century. Wolfsburg: Kunstmuseum Wolfsburg; Ostfildern-Ruit: Hatje Cantz, 2002)       

Space Cooks. London: SPACE Studios Gallery, 2002

Cork, Richard. Breaking Down the Barriers? Art in the 1990s. London: Yale University Press, 2002 

Johnstone, Isobel and Fiona Bradley eds. Words from the Arts Council Collection. London: Hayward Gallery, 2002

Hasegawa, Yuko. egofugal / Fugue from ego for the next emergence, (2nd). Istanbul: Istanbul Foundation for Culture and Arts, 2002

Schone Aussicht: der Blick auf die Berge von Segantini bus Weinberger. Vienna, Austria; Bolanzo, Italy: Folio Verl, 2002

 

2001

In Print, Contemporary British Art from The Paragon Press. London: The British Council, 2001

Reckitt, Helena ed., Art and Feminism. London: Phaidon Press, 2001

Francis, Mark, Cristina Colomar and Christabel Stewart eds., Fig-1: 50 Projects in 50 Weeks. London: Spafax Publishing, 2001

Cooper, Paul. Livingsculpture. London: Mitchell Beazley, 2001

Hoet, Jan and Michel Dewilde, Artline 5 (Interaktionen - Natur & Architektur). Gent: S.M.A.K., the Muncipal Museum of Contemporary Art, 2001

Gussin, Graham and Ele Carpenter eds. Nothing. London: August Media, 2001

Elliott, Patrick. Contemporary Art in Print. London: Booth-Clibborn Editions, 2001

Bury, Dr. Stephen. Multiplication: a British Council touring exhibition of artists’ multiples. London: The British Council, 2001

Field Day: Sculpture from Britain. Taipei: Taipei Fine Arts Museum; London: The British Council, 2001

Blazquez, Jimena. Arte y Naturaleza. Cádiz: Montenmedio Arte Contemporaneo, 2001

 

2000                 

Locus Solus, Site, Identity, Technology in Contemporary Art. London: Black Dog Publishing, 2000

Kurzmeyer, Roman. Model Experience. Zurich: Edition Voldemeer Zürich, 2000

Bennett, Sarah and John Bulter eds., Locality, Regeneration and Divers[c]ities: Advances in Art and Urban Futures Volume 1. Bristol: Intellect Books, 2000

DeCandia, Mario, and Stefania Miscetti. Anableps. Rome: Studio Stefania Miscetti, 2000, p.118

Guglielmino, Giorgio. Come Guardare l’Arte Contemporanea e Vivere Felici: 55 Opere dal 1970 al 2000. Torino, Italy: U. Allemandi, 2000

The Greenhouse Effect. London: Serpentine Gallery, 2000, p.61 

 

1999                 

Deblonde, Gautier. Artists. Lonodn: Tate Publishing, 1999

Releasing Senses: Mami Kataoka. Tokyo: Tokyo City Opera Art Gallery, 1999

Leaving Tracks: Artranspennine98An International Contemporary Visual Art Exhibition Recorded. Manchester: August Media in association with Art Transpennine, 1999

Dundee Contemporary Arts: 1999. Dundee: Dundee Contemporary Arts, 1999

 

1998

Wentworth, Richard. Richard Wentworth’s Thinking Aloud. London: Hayward Publishing, 1998

Real/Life: New British Art. Tokyo: The Asahi Shimbun and Museum of Contemporary Art, 1998

Godfrey, Tony. Conceptual Art. London: Phaidon Press, 1998

Murray, Peter. New Art From Britain. Innsbruck: Kunstraum Innsbruck; Wakefield: Yorkshire Sculpture Park, 1998 

Here to Stay, Arts Council Collection Purchases of the 1990's. London: Hayward Gallery, 1998

leaving tracks: artranspennine98. London: August Media, 1998

Interactive: An Exhibition of Contemporary British Sculpture. London: Amanda Hess, 1998, p.20­21 

Shone, Richard. Sensation. London: Royal Academy of Arts; London: Thames & Hudson, 1998

Sossai, Maria Rosa. Fine Arts 1997­1998: The British School at Rome. Rome: Studio Lodoli Sud, 1998

 

1997     

Gregos, Katerina and Henry Meyric Hughes. Private Face-Urban Space. Athens: Hellenic Art

Galleries Association, 1997

Archer, Michael. Art Since 1960. London: Thames & Hudson, 1997

Buck, Louisa. Moving Targets: A Users Guide to British Art Now. London: Tate Publishing, 1997

Kurzmeyer, Roman. Der Verlorne Garten. Liestal: Kunsthalle Palazzo, 1997

Murphy, Bernice, ed. Pictura Britannica: Art from Britain. Sydney: Museum of Contemporary Art, 1997

 

1996     

Rolo, Jane and Ian Hunt, Book Works: A Partial History and Sourcebook. London: Book Works, 1996

Lyttleton, Celia and Januszczak, Waldemar ed. The Now Art Book. Japan: Korinsha Press & Co. Ltd, 1996

Contemporary Art in The Bowes Museum. Leeds: Henry Moore Institute, 1996

Leed's Sculpture Collections. Leeds: The Centre For The Study Of Sculpture, 1996

Chocolate!. New York: Swiss Institute, 1996

Private View. Leeds: Henry Moore Institute, Henry Moore Institute, 1996

Projekte der Galerie im KunstlerHaus Bremen. Bremen: Galerie im KunstlerHaus, 1996

Shone, Richard. From Figure to Object: A Century of Sculptors’ Drawings. London: Frith Street Gallery and Karsten Schubert Gallery, 1996

 

 

1995     

Bickers, Patricia. The Brit Pack: Contemporary British Art. Manchester: Cornerhouse, 1995

Cork, Richard and Lawson, Thomas. British Art Show 4. London: Hayward Publishing, 1995

Flood, Richard and Spinelli, Marcelo. Brilliant!. Minneapolis: Walker Arts Centre, 1995

Le Shuttle: Tunnelrealitaten Paris, London, Berlin. Berlin: Kunstlerhaus Bethanien, 1995, p.66­70

Yard, Sally, ed. InSITE 94: A Binational Exhibition of Installations and Site­specific Art. San Diego: Installation Gallery, 1995, pp.88­89, 121

 

 

1994

Art Unlimited: Multiples of the 1960s and 1990s. London: Hayward Publishing, 1994

Kurtsmeyer, Roman.Where you were even now. Winterthur: Kunsthalle Winterthur, 1994

Corris, Michael. Punishment and Decoration. Cologne: Galerie Hohenthal and Bergen, 1994

Anya Gallaccio Stephania Miscetti: Interview. Rome: Stella Santcaterina, 1994

Art Unlimited: Multiples of the 1960s and 1990s. London: Hayward Gallery, 1994

 

 

1993                 

Benjamin, Andrew ed., Installation Art. London: Academy Editions, 1993

Blaswick, Iwona ed. Ha-Ha: Contemporary British Art in an 18th Century Park. Plymouth: University of Plymouth, 1993

Morgan, Stewart. Mandy Loves Declan 100%. New York: Mark Boote Gallery, 1993

Le Principe de Réalité. Nice: Villa Arson, 1993

 

1992

Life Size: small, medium and large. Prato: Museo d’Arte Contemporanea, 1992

Gillick, Liam. A Group Show. New York: Barbara Gladstone Gallery, 1992

Romano, Gianni. Twenty Fragile Pieces. Geneva: Galerie Analix, 1992

Kaufman, Pat and Thornton, Pat. Sweet Home, Gwynedd: Oriel Mostyn Gallery, 1992

 

1991

Currah, Mark. Museum of Installation Site ThreeSurrey Docks. London: n.p, 1991

Martinez de Valasco, Ramon ed., Confrontaciones: Britanico y Espanol. Madrid: Minesterio de Asuntos Sociales; London: The British Council, 1991

Renton, Andrew and Liam Gillick eds. Technique Anglaise: Current Trends in British Art. London: Thames & Hudson, 1991

Graham Dixon, Andrew. Broken English. London: Serpentine Gallery, 1991

 

1990     

Jeffrey, Ian. Next Phase. London: Wapping Pumping Station, 1990

Bond, Henry and Sarah Lucas. East Country Yard Show, Surrey Docks. London: n.p. 1990

 

1988

Hirst, Damien, ed. Freeze. Text by Ian Jeffrey. London: Olympia and York Canary Wharf and Docklands Development Corporation, 1988